Sunday, August 21, 2016

Interesting bit of history to read


https://www.harrietbeecherstowecenter.org/pdf/Lincoln-and-The-Key-to-Uncle-Tom.pdf

Harriet Beecher Stowe

From Wikipedia, the free encyclopedia
Harriet Beecher Stowe
Harriet Beecher Stowe c1852.jpg
Stowe circa 1852
BornHarriet Elisabeth Beecher
June 14, 1811
Litchfield, Connecticut, United States
DiedJuly 1, 1896 (aged 85)
Hartford, Connecticut, United States
Pen nameChristopher Crowfield
SpouseCalvin Ellis Stowe
ChildrenEliza Taylor, Harriet Beecher, Henry Ellis, Frederick William, Georgiana May, Samuel Charles, and Charles Edward
Signature
Harriet Elisabeth Beecher Stowe (/stoʊ/; June 14, 1811 – July 1, 1896) was an American abolitionist and author. She came from a famous religious family and is best known for her novel Uncle Tom's Cabin (1852). It depicts the harsh life for African Americans under slavery. It reached millions as a novel and play, and became influential in the United States and Great Britain. It energized anti-slavery forces in the American North, while provoking widespread anger in the South. She wrote 30 books, including novels, three travel memoirs, and collections of articles and letters. She was influential for both her writings and her public stands on social issues of the day.

Life and work[edit]

Harriet Elisabeth Beecher was born in Litchfield, Connecticut, on June 14, 1811.[1] She was the seventh of 13 children[2] born to outspoken Calvinist preacher Lyman Beecher and Roxana (Foote), a deeply religious woman who died when Stowe was only five years old. Roxana's maternal grandfather was General Andrew Ward of the Revolutionary War. Her notable siblings included a sister,Catharine Beecher, who became an educator and author, as well as brothers who became ministers: including Henry Ward Beecher, who became a famous preacher and abolitionist, Charles Beecher, and Edward Beecher.[3]
Harriet enrolled in the Hartford Female Seminary run by her older sister Catharine, where she received a traditional academic education usually reserved for males at the time with a focus in the classics, including study of languages and mathematics. Among her classmates was Sarah P. Willis, who later wrote under the pseudonym Fanny Fern.[4]
In 1832, at the age of 21, Harriet Beecher moved to Cincinnati, Ohio to join her father, who had become the president of Lane Theological Seminary. There, she also joined theSemi-Colon Club, a literary salon and social club whose members included the Beecher sisters, Caroline Lee Hentz, Salmon P. Chase (future governor of the state and Secretary of Treasury under President Lincoln), Emily Blackwell, and others.[5] Cincinnati's trade and shipping business on the Ohio River was booming, drawing numerous migrants from different parts of the country, including many free blacks, as well as Irish immigrants who worked on the state's canals and railroads. Areas of the city had been wrecked in theCincinnati riots of 1829, when ethnic Irish attacked blacks, trying to push competitors out of the city. Beecher met a number of African Americans who had suffered in those attacks, and their experience contributed to her later writing about slavery. Riots took place again in 1836 and 1841, driven also by native-born anti-abolitionists.
It was in the literary club that she met Calvin Ellis Stowe, a widower who was a professor at the seminary. The two married on January 6, 1836.[6] He was an ardent critic of slavery, and the Stowes supported the Underground Railroad, temporarily housing several fugitive slaves in their home. Most slaves continued north to secure freedom in Canada. The Stowes had seven children together, including twin daughters.

Uncle Tom's Cabin and Civil War[edit]


Portrait of Stowe by Alanson Fisher, 1853 (National Portrait Gallery)
In 1850, Congress passed the Fugitive Slave Law, prohibiting assistance to fugitives and strengthening sanctions even in free states. At the time, Stowe had moved with her family to Brunswick, Maine, where her husband was now teaching at Bowdoin College. Their homenear the campus is protected as a national historic resource in her honor.
Stowe claimed to have a vision of a dying slave during a communion service at the college chapel, which inspired her to write his story. However, what more likely allowed her to empathize with slaves was the loss of her eighteen-month old son, Samuel Charles Stowe. She even stated the following, "Having experienced losing someone so close to me, I can sympathize with all the poor, powerless slaves at the unjust auctions. You will always be in my heart Samuel Charles Stowe."[7] On March 9, 1850, Stowe wrote to Gamaliel Bailey, editor of the weekly antislavery journal National Era, that she planned to write a story about the problem of slavery: "I feel now that the time is come when even a woman or a child who can speak a word for freedom and humanity is bound to speak... I hope every woman who can write will not be silent."[8]
Shortly after, in June 1851, when she was 40, the first installment of her Uncle Tom's Cabin was published in serial form in the newspaperNational Era. She originally used the subtitle "The Man That Was A Thing", but it was soon changed to "Life Among the Lowly".[1]Installments were published weekly from June 5, 1851, to April 1, 1852.[8] For the newspaper serialization of her novel, Stowe was paid $400.[9] Uncle Tom's Cabin was published in book form on March 20, 1852, by John P. Jewett with an initial print run of 5,000 copies.[10]Each of its two volumes included three illustrations and a title-page designed by Hammatt Billings.[11] In less than a year, the book sold an unprecedented 300,000 copies.[12] By December, as sales began to wane, Jewett issued an inexpensive edition at 37 1/2 cents each to stimulate sales.[13]
According to Daniel R. Lincoln, the goal of the book was to educate northerners on the realistic horrors of the things that were happening in the south. The other purpose was to try to make people in the south feel more empathetic towards the people they were forcing into slavery.[14]

Portrait of Harriet Beecher Stowe by Francis Holl, 1853
The book's emotional portrayal of the effects of slavery on individuals captured the nation's attention. Stowe showed that slavery touched all of society, beyond the people directly involved as masters, traders and slaves. Her novel added to the debate about abolition and slavery, and aroused opposition in the South. Within a year, 300 babies in Boston alone were named Eva (one of the book's characters), and a play based on the book opened in New York in November of that year.[15] Southerners quickly responded with numerous works of what are now called anti-Tom novels, seeking to portray southern society and slavery in more positive terms. Many of these were bestsellers, although none matched the popularity of Stowe's work, which set publishing records.
After the start of the Civil War, Stowe traveled to the capital Washington, D.C., where she met President Abraham Lincoln on November 25, 1862.[16] Stowe's daughter Hattie reported, "It was a very droll time that we had at the White house I assure you... I will only say now that it was all very funny—and we were ready to explode with laughter all the while."[17] What Lincoln said is a minor mystery. Her son later reported that Lincoln greeted her by saying, "so you are the little woman who wrote the book that started this great war."[18] Her own accounts are vague, including the letter reporting the meeting to her husband: "I had a real funny interview with the President."[17]

Later years[edit]

A year after the war, Stowe purchased property in Florida. In response to a newspaper article in 1873 she wrote, "I came to Florida the year after the war and held property in Duval County ever since. In all this time I have not received even an incivility from any native Floridian."[19]
In 1868, Stowe became one of the first editors of Hearth and Home magazine, one of several new publications appealing to women; she departed after a year.[20] Stowe campaigned for the expansion of married women's rights, arguing in 1869 that:[21]
[T]he position of a married woman ... is, in many respects, precisely similar to that of the negro slave. She can make no contract and hold no property; whatever she inherits or earns becomes at that moment the property of her husband.... Though he acquired a fortune through her, or though she earned a fortune through her talents, he is the sole master of it, and she cannot draw a penny....[I]n the English common law a married woman is nothing at all. She passes out of legal existence.
In the 1870s, Stowe's brother Henry Ward Beecher was accused of adultery, and became the subject of a national scandal. Unable to bear the public attacks on her brother, Stowe again fled to Florida but asked family members to send her newspaper reports.[22] Through the affair, she remained loyal to her brother and believed he was innocent.[23]
After her return to Connecticut, Mrs. Stowe was among the founders of the Hartford Art School, which later became part of the University of Hartford.
Following her husband Calvin Stowe's death in 1886, Harriet started rapidly to decline in health. By 1888 the Washington Post reported that as a result of dementia the 77-year-old Stowe started
"writing Uncle Tom's Cabin over again. She imagined that she was engaged in the original composition, and for several hours every day she industriously used pen and paper, inscribing passages of the book almost exactly word for word. This was done unconsciously from memory, the authoress imagining that she composed the matter as she went along. To her diseased mind the story was brand new and she frequently exhausted herself with labor which she regarded as freshly created."[24]
Mark Twain, a neighbor of Stowe's in Hartford, recalled her last years in the following passage of his autobiography:
"Her mind had decayed, and she was a pathetic figure. She wandered about all the day long in the care of a muscular Irish woman. Among the colonists of our neighborhood the doors always stood open in pleasant weather. Mrs. Stowe entered them at her own free will, and as she was always softly slippered and generally full of animal spirits, she was able to deal in surprises, and she liked to do it. She would slip up behind a person who was deep in dreams and musings and fetch a war whoop that would jump that person out of his clothes. And she had other moods. Sometimes we would hear gentle music in the drawing-room and would find her there at the piano singing ancient and melancholy songs with infinitely touching effect."[25]
Modern researchers now speculate that at the end of her life Harriet was suffering from Alzheimer's disease.[26]
Harriet Beecher Stowe died on July 1, 1896, at age eighty-five in Hartford, Connecticut. She is buried in the historic cemetery at Phillips Academy in Andover, Massachusetts.[27]

Legacy[edit]


Harriet Beecher Stowe House in Cincinnati, Ohio

Bust by Brenda Putnam at Hall of Fame for Great Americans

Landmarks[edit]

Multiple landmarks are dedicated to the memory of Harriet Beecher Stowe, and are located in several states including Ohio, Florida, Maine and Connecticut. The locations of these landmarks represent various periods of her life such as her father's house where she grew up, and where she wrote her most famous work.
The Harriet Beecher Stowe House in Cincinnati, Ohio, is the former home of her father Lyman Beecher on the former campus of the Lane Seminary. Her father was a preacher who was greatly affected by the pro-slavery Cincinnati Riots of 1836. Harriet Beecher Stowe lived here until her marriage. It is open to the public and operated as a historical and cultural site, focusing on Harriet Beecher Stowe, the Lane Seminary and the Underground Railroad. The site also presents African-American history.[28]
In the 1870s and 1880s, Stowe and her family wintered in Mandarin, Florida, now a neighborhood of modern consolidated Jacksonville, on the St. Johns River. Stowe wrote Palmetto Leaves while living in Mandarin, arguably an eloquent piece of promotional literature directed at Florida's potential Northern investors at the time.[29] The book was published in 1873 and describes Northeast Florida and its residents. In 1874, Stowe was honored by the governor of Florida as one of several northerners who had helped Florida's growth after the war. In addition to her writings inspiring tourists and settlers to the area, she helped establish a church and a school, and she helped promote oranges as a major state crop through her own orchards.[30] The school she helped establish in 1870 was an integrated school in Mandarin for children and adults. This predated the national movement toward integration by more than a half century. The marker commemorating the Stowe family is located across the street from the former site of their cottage. It is on the property of the Community Club, at the site of a church where Stowe's husband once served as a minister. The Church of our Saviour is an Episcopal Churchfounded in 1880 by a group of people who had gathered for Bible readings with Professor Calvin E. Stowe and his famous wife. The house was constructed in 1883 which contained the Stowe Memorial stained glass window, created by Louis Comfort Tiffany.[31]
The Harriet Beecher Stowe House in Brunswick, Maine, is where Stowe lived when she wrote Uncle Tom's Cabin. Her husband was teaching theology at nearby Bowdoin College, and she regularly invited students from the college and friends to read and discuss the chapters before publication. Future Civil War general, and later Governor, Joshua Chamberlain was then a student at the college and later described the setting. "On these occasions," Chamberlain noted, "a chosen circle of friends, mostly young, were favored with the freedom of her house, the rallying point being, however, the reading before publication, of the successive chapters of her Uncle Tom's Cabin, and the frank discussion of them." In 2001 Bowdoin College purchased the house, together with a newer attached building, and was able to raise the substantial funds necessary to restore the house. It is not open to the public.
The Harriet Beecher Stowe House in Hartford, Connecticut, is the house where Stowe lived for the last 23 years of her life. It was next door to the house of fellow author Mark Twain. In this 5,000 sq ft (460 m2) cottage-style house, there are many of Beecher Stowe's original items and items from the time period. In the research library, which is open to the public, there are numerous letters and documents from the Beecher family. The house is open to the public and offers house tours on the half-hour.
In 1833, during Stowe's time in Cincinnati, the city was afflicted with a serious cholera epidemic. To avoid illness, Stowe made a visit to Washington, Kentucky, a major community of the era just south of Maysville. She stayed with the Marshall Key family, one of whose daughters was a student at Lane Seminary. It is recorded that Mr. Key took her to see a slave auction, as they were frequently held in Maysville. Scholars believe she was strongly moved by the experience. The Marshall Key home still stands in Washington. Key was a prominent Kentuckian; his visitors also included Henry Clay and Daniel Webster.[32]
The Uncle Tom's Cabin Historic Site is part of the restored Dawn Settlement at Dresden, Ontario, which is 20 miles east of Algonac, Michigan. The community for freed slaves founded by the Rev. Josiah Henson and other abolitionists in the 1830s has been restored. There's also a museum. Henson and the Dawn Settlement provided Stowe with the inspiration for Uncle Tom's Cabin.[33]

Honors[edit]

In popular culture[edit]

In the fictional North American Confederacy Series by L. Neil Smith, in which the United States becomes a Libertarian state in 1794 after a successful Whiskey Rebellion and the overthrowing and execution of George Washington by firing squad for treason, Harriet Beecher Stowe served as the thirteenth President of the North American Confederacy from 1859, when Arthur Downing died, to 1860, when Lysander Spooner succeeded her. She was the first woman to hold the office of the presidency and was called her ownFirst Lady.

Partial list of works[edit]

As Christopher Crowfield[edit]

  • House and Home Papers (1865)
  • Little Foxes (1866)
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