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in the I Vee I banter this the Blank as that is The Continue on the Known of MY HAND,

the World will Soar to a Hello on the Verse a Universe that Knows the Grip does Book!!

At Trades on the Winds I bounce this a Truth be Wisdom to this Deck for it Is Not A Stage,

I do not Tour the Worlds Stupor I do Not Make be Left Movies the Theater is Alive & I'll rank it,

to be the Breadth on the Staggers of the Lens touch my Glass,

it Is full UP Ice to that Chiller on the Rake.

Bark to this Rough and I will be that Devil on Satans Level,

no Stage to My Life as I will Merry the World to the Grave,

difference in Speech to that Speak Easy on the drink,

blood is the Morrow of Today on the Press!!

The Mead dee Dungeon that CBS on Can A Duh Hows the Vapor on the Lending of Violet,

whips to the Eggs the brains at the Snap,

synapse to that Case as the library of the base!!

Get to this the Sentence on the Foot, 

one step to step the Waltz of Ole dazed Signed,

to perk the dick u lair and Supper on the cuff,

collection is the Mind that drank the pearl Strained!!

Dig down so deep that the Sod is Peter,

at that Revelation say Genesis is shive`ing,

the Spear of Life to Eternal In Finite live the Feat a Hoof,

in Wall of frog the Pots on Pan this is No whistle tripping!!

Jury to that Hell owe Cent and title that a Bringer,

basket Measure with the Aisle that is the Chord of Bisque,

Cinderella on the bakery is Pier Roach key Daters,

that pea of Pot to bell the Hot as I will curl ............

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in applicate to Apply the Screen the lever shifting,

a Gear to shaft that Elevate to Hi its herd for Strict Nine,

count to the ABC be Bright Lit to the Flame!!

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as I speak Plain and You jake Spell the dejavou will Trouble,

barking dogs the Cats will State that Meant was to be Jill!!

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as the Polar of the bent will drip the Hexol sipping,

Farm A Suit A Call that says that Horse of Smoking liquids,

to bad the Chased have had to Run this Rum and shade the Divers,

for Patience is the Means allow the body Heeling,

the brain on Speed will slow to Stern and direct that dimple,

smile Wallop to that Canter and know that Dock tore rinsed Play skate,

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for should the ewe favor rump than be Sure that this is Rib bons.

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as that is the State of the In Form of a House than I front to the World this as An Tank,

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than Cast this a Script and be of that Creed,

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that horse on the tack is that In Car Nation of the Fact,

as the deed will Tell the rats on Reins in being of the Stool,

I'll pigeon that to Truth in Day to Iron that a Case!!

There is no library to this Speak easy on the Supper,

as Haw is left on the Mule a Wii to Finnish dutch,

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that nobody Cats to Clay as any Can do Cycle`d.

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to the Solar of the Sun I branch the Cosmic Sole'd,

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to temper on the arch remember this is a short on route,

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a bridle to that Bits and peace is Riding on For Life!!

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that say and See to Terminal the Trains that Know the Crossing,

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the wall of Trade the sliding Door remind the Mind of steering,

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the boarding house that leg I had a Stirrup for the kicker,

in that the Clement gave a Price yet the Cost was truth,

prepare for deep and keep it Week a knews that drones the Capers.!!.

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yet on the Map the Other tell is that the Last Name bells!!

DMCA Is The News Copy for Digital Millennium Copyright Act

Digital Millennium Copyright Act

From Wikipedia, the free encyclopedia

Digital Millennium Copyright Act

Long title	To amend title 17, United States Code, to implement the World Intellectual Property Organization Copyright Treaty and Performances and Phonograms Treaty, and for other purposes.
Acronyms(colloquial)	DMCA
Enacted by	the 105th United States Congress
Effective	October 28, 1998
Citations
Public Law	Pub. L. 105-304
Statutes at Large	112 Stat. 2860 (1998)
Codification
Acts amended	Copyright Act of 1976
Titles amended	5 (Government Organization and Employees); 17 (Copyrights); 28 (Judiciary and Judicial Procedure); 35 (Patents)
U.S.C.sections created	17 U.S.C. §§ 512, 1201–1205, 1301–1332; 28 U.S.C. § 4001
U.S.C. sections amended	17 U.S.C. §§ 101, 104, 104A, 108, 112, 114, 117, 701
Legislative history
Introduced in the House of Representatives as H.R. 2281 by Rep. Howard Coble (R-NC) on July 29, 1997 Committee consideration by House Judiciary Committee (Subcommittee on Courts and Intellectual Property); House Commerce Committee (Subcommittee on Telecommunications, Trade, and Consumer Protection) Passed the House on August 4, 1998 (voice vote) Passed the Senate on September 17, 1998 (unanimous consent) Reported by the joint conference committee onOctober 8, 1998; agreed to by the Senate on October 8, 1998 (consent) and by the House on October 12, 1998 (voice vote) Signed into law by President Bill Clinton on October 28, 1998
Major amendments
None

The Digital Millennium Copyright Act (DMCA) is a United States copyright law that implements two 1996 treaties of theWorld Intellectual Property Organization (WIPO). It criminalizes production and dissemination of technology, devices, or services intended to circumvent measures (commonly known as digital rights management or DRM) that control access to copyrighted works. It also criminalizes the act of circumventing an access control, whether or not there is actual infringement of copyright itself. In addition, the DMCA heightens the penalties for copyright infringement on theInternet.^[1][2] Passed on October 12, 1998, by a unanimous vote in the United States Senate and signed into law by President Bill Clinton on October 28, 1998, the DMCA amended Title 17 of the United States Code to extend the reach of copyright, while limiting the liability of the providers of online services for copyright infringement by their users.

The DMCA's principal innovation in the field of copyright is the exemption from direct and indirect liability of Internet service providers and other intermediaries. This exemption was adopted by the European Union in the Electronic Commerce Directive 2000. The Copyright Directive 2001 implemented the 1996 WIPO Copyright Treaty in the EU.

Contents

  [hide] 

• 1 Provisions
  • 1.1 Title I: WIPO Copyright and Performances and Phonograms Treaties Implemention Act
  • 1.2 Title II: Online Copyright Infringement Liability Limitation Act
  • 1.3 Title III: Computer Maintenance Competition Assurance Act
  • 1.4 Title IV: Miscellaneous Provisions
  • 1.5 Title V: Vessel Hull Design Protection Act
• 2 Anti-circumvention exemptions
  • 2.1 Previous exemptions
• 3 Linking to infringing content
• 4 Notable court cases
  • 4.1 Edelman v. N2H2
  • 4.2 RealNetworks, Inc. v. DVD Copy Control Association, Inc.
  • 4.3 Viacom Inc. v. YouTube, Google Inc.
  • 4.4 IO Group, Inc. v. Veoh Networks, Inc.
  • 4.5 Vernor v. Autodesk, Inc.
  • 4.6 Lenz v. Universal Music Corp.
  • 4.7 Flava Works Inc. v. Gunter
  • 4.8 Ouellette v. Viacom International Inc.
  • 4.9 Sony v. George Hotz
  • 4.10 Automattic, Inc. and Oliver Hotham v. Nick Steiner
• 5 Criticisms
  • 5.1 Abuse of takedown notice
  • 5.2 Effect on analog video equipment
  • 5.3 Effect on research
  • 5.4 Effect on innovation and competition
  • 5.5 Reform and opposition
• 6 See also
• 7 References
• 8 External links

Provisions[edit]

Title I: WIPO Copyright and Performances and Phonograms Treaties Implemention Act[edit]

DMCA Title I, the WIPO Copyright and Performances and Phonograms Treaties Implementation Act, amends U.S. copyright law to comply with the WIPO Copyright Treaty and the WIPO Performances and Phonograms Treaty, adopted at the WIPO Diplomatic Conference in December 1996. The treaties have two major portions. One portion includes works covered by several treaties in U.S. copy prevention laws and gave the title its name. For further analysis of this portion of the Act and of cases under it, see WIPO Copyright and Performances and Phonograms Treaties Implementation Act.

The second portion (17 U.S.C. 1201) is often known as the DMCA anti-circumvention provisions. These provisions changed the remedies for the circumvention of copy-prevention systems (also called "technical protection measures") and required that all analog video recorders have support for a specific form of copy prevention created by Macrovision (now Rovi Corporation) built in, giving Macrovision an effective monopoly on the analog video-recording copy-prevention market. The section contains a number of specific limitations and exemptions, for such things as government research and reverse engineering in specified situations. Although, section 1201(c) of the title stated that the section does not change the underlying substantive copyright infringement rights, remedies, or defenses, it did not make those defenses available in circumvention actions. The section does not include a fair use exemption from criminality nor a scienter requirement, so criminal liability could attach even unintended circumvention for legitimate purposes.^[3] The Unlocking Technology Act of 2013 was introduced to attempt to fix these oversights, which include prohibitions on unlocking one's own cell phone.^[4][5] However, no action was taken by Congress as of the end of 2013.

Title II: Online Copyright Infringement Liability Limitation Act[edit]

DMCA Title II, the Online Copyright Infringement Liability Limitation Act ("OCILLA"), creates a safe harbor for online service providers (OSPs, including ISPs) against copyright infringement liability, provided they meet specific requirements. OSPs must adhere to and qualify for certain prescribed safe harbor guidelines and promptly block access to alleged infringing material (or remove such material from their systems) when they receive notification of an infringement claim from a copyright holder or the copyright holder's agent. OCILLA also includes a counternotification provision that offers OSPs a safe harbor from liability to their users when users claim that the material in question is not, in fact, infringing. OCILLA also facilitates issuing of subpoenas against OSPs to provide their users' identity.

Title III: Computer Maintenance Competition Assurance Act[edit]

DMCA Title III modified section 117 of the copyright title so that those repairing computers could make certain temporary, limited copies while working on a computer. It reversed the precedent set in MAI Systems Corp. v. Peak Computer, Inc., 991 F.2d 511 (9th Cir. 1993).

Title IV: Miscellaneous Provisions[edit]

DMCA Title IV contains an assortment of provisions:

• Clarified and added to the duties of the Copyright Office.
• Added ephemeral copy for broadcasters provisions, including certain statutory licenses.
• Added provisions to facilitate distance education.
• Added provisions to assist libraries with keeping phonorecords of sound recordings.
• Added provisions relating to collective bargaining and the transfer of movie rights.

Title V: Vessel Hull Design Protection Act[edit]

DMCA Title V added sections 1301 through 1332 to add a sui generis protection for boat hull designs. Boat hull designs were not considered covered under copyright law because they are useful articles whose form cannot be cleanly separated from their function.^[6][7]

Anti-circumvention exemptions[edit]

This section's factual accuracy may be compromised due to out-of-date information. Please update this article to reflect recent events or newly available information. (May 2013)

In addition to the safe harbors and exemptions the statute explicitly provides, 17 U.S.C. 1201(a)(1) requires that the Librarian of Congress issue exemptions from the prohibition against circumvention of access-control technology. Exemptions are granted when it is shown that access-control technology has had a substantial adverse effect on the ability of people to make non-infringing uses of copyrighted works.

The exemption rules are revised every three years. Exemption proposals are submitted by the public to the Registrar of Copyrights, and after a process of hearings and public comments, the final rule is recommended by the Registrar and issued by the Librarian. Exemptions expire after three years and must be resubmitted for the next rulemaking cycle. Consequently, the exemptions issued in the prior rulemakings, in 2000, 2003 and 2006, and 2010 are no longer valid.

Previous exemptions[edit]

The Copyright Office approved two exemptions in 2000; four in 2003; six in 2006 and 2010.

2000, 2003, 2006 rulemakings

In 2000, the first rulemaking, the Office exempted (a) "Compilations consisting of lists of websites blocked by filtering software applications" (renewed in 2003 but not renewed in 2006); and (b) "Literary works, including computer programs and databases, protected by access control mechanisms that fail to permit access because of malfunction, damage, or obsoleteness." (revised and limited in 2003 and again in 2006). In 2003, the 2000 "literary works including computer programs" exemption was limited to "Computer programs protected by dongles that prevent access due to malfunction or damage and which are obsolete" and this exemption was renewed in both 2006 and 2010. The 2003 exemption for text readers of ebooks was renewed in both 2006 and 2010. The 2003 exemption for obsolete software and video game formats was renewed in 2006 and in 2010. The 2000 filtering exemption was revised and renewed in 2003, but was not renewed in 2006. The 2006 exemption for sound recordings allowed after security flaws were found in a copy protection system on some Sony CDs was not renewed in 2010. An exemption covering the audiovisual works included in the educational library of a college or university’s film or media studies department was not renewed in 2010. This exemption was replaced with an exemption on DVDs protected by the Content Scrambling System when circumvention is for the purpose of criticism or comment using short sections, for educational, documentary or non-profit use. The 2006 exemption for wireless handsets connecting to wireless networks was revised in 2010 to specify used handsets and require authorization from the wireless network operator. Another exemption for wireless handsets was introduced in 2010 specific to interoperability software on the phone itself.^[8]

2010 rulemakings

The 2010 exemptions, issued in July 2010, are:

• Motion pictures on DVDs that are lawfully made and acquired and that are protected by the Content Scrambling System when circumvention is accomplished solely in order to accomplish the incorporation of short portions of motion pictures into new works for the purpose of criticism or comment, and where the person engaging in circumvention believes and has reasonable grounds for believing that circumvention is necessary to fulfill the purpose of the use in the following instances:
  • Educational uses by college and university professors and by college and university film and media studies students;
  • Documentary filmmaking;
  • Obsolete software and video game formats.
  • Noncommercial videos. (A new exemption in 2010, similar to a previous educational exemption.)
• Computer programs that enable wireless telephone handsets to execute software applications, where circumvention is accomplished for the sole purpose of enabling interoperability of such applications, when they have been lawfully obtained, with computer programs on the telephone handset. (A new exemption in 2010.)
• Computer programs, in the form of firmware or software, that enable used wireless telephone handsets to connect to a wireless telecommunications network, when circumvention is initiated by the owner of the copy of the computer program solely in order to connect to a wireless telecommunications network and access to the network is authorized by the operator of the network. (Revised from a similar exemption approved in 2006.)
• Video games accessible on personal computers and protected by technological protection measures that control access to lawfully obtained works, when circumvention is accomplished solely for the purpose of good faith testing for, investigating, or correcting security flaws or vulnerabilities, if:
  • The information derived from the security testing is used primarily to promote the security of the owner or operator of a computer, computer system, or computer network; and
  • The information derived from the security testing is used or maintained in a manner that does not facilitate copyright infringement or a violation of applicable law. (A new exemption in 2010.)
• Computer programs protected by dongles that prevent access due to malfunction or damage and which are obsolete. A dongle shall be considered obsolete if it is no longer manufactured or if a replacement or repair is no longer reasonably available in the commercial marketplace. (A renewed exemption from 2006, based on a similar exemption approved in 2003.)
• Literary works distributed in e-book format when all existing e-book editions of the work (including digital text editions made available by authorized entities) contain access controls that prevent the enabling either of the book’s read-aloud function or of screen readers that render the text into a specialized format. (A renewed exemption from 2006, based on a similar exemption approved in 2003.)

Linking to infringing content[edit]

The law is currently unsettled with regard to websites that contain links to infringing material; however, there have been a few lower-court decisions which have ruled against linking in some narrowly prescribed circumstances. One is when the owner of a website has already been issued an injunction against posting infringing material on their website and then links to the same material in an attempt to circumvent the injunction. Another area involves linking to software or devices which are designed to circumvent (digital rights management) devices, or links from websites whose sole purpose is to circumvent copyright protection by linking to copyrighted material.^[9]

Notable court cases[edit]

This section requires expansion.(November 2008)

Edelman v. N2H2[edit]

In July 2002, American Civil Liberties Union filed a lawsuit on the behalf of Benjamin Edelman, a computer researcher at Berkman Center for Internet and Society, seeking adeclaratory judgment to affirm his first amendment rights when reverse engineering the censorware product of defendant N2H2 in case he intended to publish the finding. N2H2 filed a motion to dismiss, which the court granted.^{[citation needed]}

RealNetworks, Inc. v. DVD Copy Control Association, Inc.[edit]

Main article: RealNetworks, Inc. v. DVD Copy Control Association, Inc.

In August 2009, the DVD Copy Control Association won a lawsuit against RealNetworks for violating copyright law in selling its RealDVD software, allowing users to copy DVDs and store them on a harddrive. The DVD Copy Control Association claimed that Real violated the DMCA by circumventing anti-piracy measures ARccOS Protection andRipGuard, as well as breaking Real's licensing agreement with the MPAA's Content Scrambling System.^[10]

Viacom Inc. v. YouTube, Google Inc.[edit]

Main article: Viacom International Inc. v. YouTube, Inc.

On March 13, 2007, Viacom filed a lawsuit against YouTube and its corporate parent Google for copyright infringement seeking more than $1 billion in damages. The complaint was filed in the U.S. District Court for the Southern District of New York.

Viacom claims the popular video-sharing site was engaging in "massive intentional copyright infringement" for making available a contended 160,000 unauthorized clips of Viacom's entertainment programming. Google relied on the 1998 Digital Millennium Copyright Act's "safe harbor" provision to shield them from liability.^[11]

On June 23, 2010, U.S. District Judge Louis Stanton granted summary judgment in favor of YouTube.^[12] The court held that YouTube is protected by the safe harbor of the DMCA. Viacom appealed to the U.S. Court of Appeals for the Second Circuit.^[13]

On April 5, 2012, the federal Second Circuit Court of Appeals vacated Judge Louis Stanton's ruling, and instead ruled that Viacom had presented enough evidence against YouTube to warrant a trial, and the case should not have been thrown out in summary judgement. The court did uphold the ruling that YouTube could not be held liable based on "general knowledge" that users on its site were infringing copyright. The case was sent back to the District Court in New York,^[14] and on April 18, 2013, Judge Stanton issued another order granting summary judgment in favor of YouTube. The case is over; no money changed hands.

IO Group, Inc. v. Veoh Networks, Inc.[edit]

Main article: IO Group, Inc. v. Veoh Networks, Inc.

On June 23, 2006, IO Group, Inc. filed a complaint against Veoh Networks, Inc. in the U.S. District Court for California's Northern District.^[15]

IO Group alleged that Veoh was responsible for copyright infringement by allowing videos owned by IO Group to be accessed through Veoh's online service without permission over 40,000 times between the dates June 1 and June 22.^[16]

Veoh is a Flash video site relying on user contributed content. IO Group argued that since Veoh transcoded user uploaded videos to Flash format it became a direct infringer and the materials were under their direct control, thereby disqualifying them for DMCA safe harbor protection.

The ruling judge disagreed with the argument, stating that

"Veoh has simply established a system whereby software automatically processes user-submitted content and recasts it in a format that is readily accessible to its users. Veoh preselects the software parameters for the process from a range of default values set by the thirdparty software... But Veoh does not itself actively participate or supervise the uploading of files. Nor does it preview or select the files before the upload is completed. Instead, video files are uploaded through an automated process which is initiated entirely at the volition of Veoh's users."

The Court has granted the Veoh's motion for summary judgment, on the basis of the DMCA, holding that the defendant's video-sharing web site complied and was entitled to the protection of the statute's "safe harbor" provision.^[17] Even though Veoh won the court case, it blamed the litigation as one of the causes of its preparing to file Chapter 7 bankruptcy and its subsequent sale to Qlipso.^[18][19]

Vernor v. Autodesk, Inc.[edit]

Main article: Vernor v. Autodesk, Inc.

After numerous DMCA takedown notices in response to his eBay listings, Timothy S. Vernor sued Autodesk in August 2007 alleging that Autodesk abused the DMCA and disrupted his right to sell used software he bought at a garage sale.^[20] In May 2008, a federal district judge in Washington State dismissed Autodesk's argument that the software's license agreement preempted the seller from his rights under the first-sale doctrine.^[21] In September 2010, the U.S. Court of Appeals for the Ninth Circuit reversed, holding that "a software user is a licensee rather than an owner of a copy where the copyright owner (1) specifies that the user is granted a license; (2) significantly restricts the user's ability to transfer the software; and (3) imposes notable use restrictions."^[22]

Lenz v. Universal Music Corp.[edit]

Main article: Lenz v. Universal Music Corp.

In 2007, Stephanie Lenz, a writer and editor from Gallitzin, Pennsylvania made a home video of her 13-month-old son dancing to "Let's Go Crazy" and posted a 29-second video on the video-sharing site YouTube. Four months after the video was originally uploaded, Universal Music Group, which owned the copyrights to the song, ordered YouTube to remove the video enforcing the Digital Millennium Copyright Act.

Lenz notified YouTube immediately that her video was within the scope of fair use, and demanded that it be restored. YouTube complied after six weeks—not two weeks, as required by the Digital Millennium Copyright Act—to see whether Universal planned to sue Lenz for infringement. Lenz then sued Universal Music in California for her legal costs, claiming the music company had acted in bad faith by ordering removal of a video that represented fair use of the song.^[23]

In August 2008, U.S. District Judge Jeremy Fogel of San Jose, California ruled that copyright holders cannot order a deletion of an online file without determining whether that posting reflected "fair use" of the copyrighted material.

On February 25, 2010, Judge Fogel issued a ruling rejecting several of Universal's affirmative defenses, including the defense that Lenz suffered no damages.^[24]

Flava Works Inc. v. Gunter[edit]

Main article: Flava Works Inc. v. Gunter

In the case of Flava Works Inc. v. Gunter the court denied the defendant safe harbour protection under DMCA 17 U.S.C. § 512. The district court found that the defendant had knowledge of its users' infringing activity and also failed to prevent future infringing activity. As such the plaintiff's motion for preliminary injunction was granted.^[25] On appeal, however, the Seventh Circuit vacated the injunction, citing the standard set in eBay Inc. v. MercExchange, L.L.C., which states that courts should not rely on categorical rules as a standard for injunction.^[26]

Ouellette v. Viacom International Inc.[edit]

Main article: Ouellette v. Viacom International Inc.

In this case of Ouellette v. Viacom International Inc., the court denied plaintiff's attempt to find liability for YouTube and Myspace's takedowns of the plaintiff's homemade videos. Despite potential fair use claims, the court found it impossible to use the DMCA takedown provisions as a foundation for liability. The court found that the safe harbor provision serves "to limit the liability of internet service providers, not to create liability that could not otherwise be imposed under existing law independent of the DMCA."^[27]

Sony v. George Hotz[edit]

Main article: Sony Computer Entertainment America v. George Hotz

In January 2011, Sony Computer Entertainment sued George Hotz over violating the Section 1201 of the Digital Millennium Copyright Act as well as the Federal Fraud and Abuse Act due to facilitating consumers to jailbreak their PlayStation 3 consoles.^[28] Hotz argued that because he had purchased the product, he had the right to do with it as he pleased. After three months, Sony and Hotz decided to settle out of court. This also included an injunction against George Hotz, barring him from hacking any more Sony products.^[29][30]

Automattic, Inc. and Oliver Hotham v. Nick Steiner[edit]

In 2013, Oliver Hotham wrote an article on WordPress (owned by Automattic, Inc.) critical of Straight Pride UK that included material from a press release sent to him by Straight Pride UK's press officer, Nick Steiner. Steiner sent WordPress a DMCA takedown notice claiming that Hotham's article infringed their copyright. WordPress and Hotham sued in a federal District Court in California, under §512(f) of the DMCA, claiming that the takedown notice was fraudulent, and that the takedown cost the plaintiffs time, lost work and attorneys' fees. In 2015, the court issued a default judgement in favor of WordPress and Hotham in the amount of $25,084.^[31]

Criticisms[edit]

Abuse of takedown notice[edit]

Google asserted misuse of the DMCA in a filing concerning New Zealand's copyright act,^[32] quoting results from a 2005 study by Californian academics Laura Quilter and Jennifer Urban based on data from the Chilling Effects clearinghouse.^[33] Takedown notices targeting a competing business made up over half (57%) of the notices Google has received, the company said, and more than one-third (37%), "were not valid copyright claims."^[34]

Effect on analog video equipment[edit]

Analog Copy Protection (ACP), the encryption technology created by Rovi Corporation (formerly Macrovision), is designed to thwart users' attempts to reproduce content via analog cables. When a DVD is played through an analog video cable and recorded using a VCR, Rovi's ACP technology will distort the copy partially or completely.^[35]

The technology works by adding additional lines to the video signal. In the NTSC video standard, blank lines (vertical blanking intervals) that the user cannot see are used for functions like closed captioning. Rovi Corporation uses these blank lines to implement its ACP technology.^[36]

The implementation of ACP has been ill-regarded by some video enthusiasts. Many claim that the technology has led to signal issues with VCRs and analog video equipment. Some VCRs misread the encryption used to prevent copying, distorting the video image regardless of whether the recording is original or a copy.

The DMCA has been criticized for forcing all producers of analog video equipment to support the proprietary copy protection technology of Rovi Corporation, a commercial firm.^{[citation needed]} The producers of video equipment are forced by law to support and implement the corporation's proprietary technology.^{[citation needed]} This benefits Rovi Corporation financially, whereas those forced to implement it receive neither profit nor compensation.^[37]

Additionally, some criticize the implementation of ACP as a violation of their fair use rights. A recently developed TV-streaming product called the Slingbox uses analog signals to convey video from television to a mobile device. However, the encryption used by ACP blocks analog transmission, rendering the Slingbox unusable. Additionally ACP blocks the use of recording for educational purposes. On one or more accounts, students have not been able to cite and record cable sources properly due to ACP restrictions.^[38]

Effect on research[edit]

Main article: Digital rights management

The DMCA has had an impact on the worldwide cryptography research community, since an argument can be made that any cryptanalytic research violates, or might violate, the DMCA. The arrest of Russian programmer Dmitry Sklyarov in 2001, for alleged infringement of the DMCA, was a highly publicized example of the law's use to prevent or penalize development of anti-DRM measures.^[39] While working for ElcomSoft in Russia, he developed The Advanced eBook Processor, a software application allowing users to strip usage restriction information from restricted e-books, an activity legal in both Russia and the United States.^[40] Paradoxically, under the DMCA, it is not legal in the United States to provide such a tool. Sklyarov was arrested in the United States after presenting a speech at DEF CON and subsequently spent nearly a month in jail.^[41] The DMCA has also been cited as chilling to legitimate users, such as students of cryptanalysis (including, in a well-known instance, Professor Edward Felten and students at Princeton),^[42] and security consultants such as Niels Ferguson, who has declined to publish information about vulnerabilities he discovered in an Intel secure-computing scheme because of his concern about being arrested under the DMCA when he travels to the U.S.^[43]

Effect on innovation and competition[edit]

In at least one court case, the DMCA has been used by Open Source software projects to defend against conversion of software (i.e., license violations) that involved removal of copyright notices.^[44] This defense can be used even without timely copyright registration, and can generate attorney fee awards, which together make it a useful strategy for Open Source organizations.

Reform and opposition[edit]

There have been several Congressional efforts to modify the Act. Rick Boucher, a Democratic congressman from Virginia, led one of these efforts by introducing the Digital Media Consumers' Rights Act (DMCRA).

A prominent bill related to the DMCA is the Consumer Broadband and Digital Television Promotion Act (CBDTPA), known in early drafts as the Security Systems and Standards Certification Act (SSSCA). This bill, if it had passed, would have dealt with the devices used to access digital content and would have been even more restrictive than the DMCA.^[vague]

On the tenth anniversary of the DMCA, the Electronic Frontier Foundation documented harmful consequences of the anti-circumvention provisions.^[45] They document that the DMCA:

1. Stifles free expression, such as in its use against Russian programmer Dmitry Sklyarov, Princeton Professor Edward Felten, and journalists;
2. Jeopardizes fair use;
3. Impedes competition, such as blocking aftermarket competition in toner cartridges, garage door openers, and enforcing walled gardens around the iPod;^[46] and
4. Interferes with computer intrusion laws.^[47]

See also[edit]

	Government of the United States portal
	Internet portal

Economic concepts Protectionism Related US laws Copyright Term Extension Act (1998) Digital Performance Right in Sound Recordings Act (1995) Inducement rule NET Act, the "No Electronic Theft" Proposed US legislation BALANCE Act, Benefit Authors without Limiting Advancement or Net Consumer Expectations Act of 2003 Inducing Infringement of Copyrights Act (INDUCE) (introduced 2004) Pirate Act (introduced 2004) Digital Media Consumers' Rights Act (introduced 2003 & 2005) Digital Transition Content Security Act (introduced 2005) FAIR USE Act (introduced in 2007) Shelved US Legislation PROTECT IP Act (introduced in 2011, shelved indefinitely) Stop Online Piracy Act (SOPA) (introduced in 2011, shelved indefinitely) Related international law Bill C-60 (Canada – proposed) Bill C-61 (Canada – proposed) Bill C-32 (Canada – proposed) DADVSI (France – Loi sur le Droit d'Auteur et les Droits Voisins dans la Société de l'Information) Digital Economy Act 2010 (United Kingdom) EU Copyright Directive (European Union)[48] Protection of Broadcasts and Broadcasting Organizations Treaty (proposed)

Proposed international law Anti-Counterfeiting Trade Agreement DMCA anti-circumvention cases 321 Studios v. Metro Goldwyn Mayer Studios, Inc. Chamberlain v. Skylink Facebook, Inc. v. Power Ventures, Inc. Lexmark Int'l v. Static Control Components Murphy v. Millennium Radio Group LLC Dmitry Sklyarov in United States v. ElcomSoft and Sklyarov Universal v. Reimerdes DMCA damages cases Stockwire Research Group, Inc., et al. v. Lebed, et al. DMCA notice-and-takedown issues Online Copyright Infringement Liability Limitation Act (OCILLA) (more information about the DMCA 512 takedown provisions) Lenz v. Universal Music C