Presents, a Life with a Plan. My name is Karen Anastasia Placek, I am the author of this Google Blog. This is the story of my journey, a quest to understanding more than myself. The title of this blog, "The Secret of the Universe is Choice!; know decision" will be the next global slogan. Placed on T-shirts, Jackets, Sweatshirts, it really doesn't matter, 'cause a picture with my slogan is worth more than a thousand words, it's worth??.......Know Conversation!!!
In medicine, Homans' sign (sometimes spelled as Homans sign) or the dorsiflexion sign is considered a sign of deep vein thrombosis (DVT). It was defined by John Homans in 1941 as discomfort behind the knee on forced dorsiflexion of the foot.[1] After surgeons discovered many examples of a false-positive Homans' sign, Homans redefined it in 1944, stating that "discomfort need have no part in the reaction.", including increased resistance, involuntary flexure of the knee or pain in the calf to forced dorsiflexion as positive responses.[1][2][3][dated info]
It is estimated to have a sensitivity of 10-54% and a specificity of 39-89%,[1] and is thus considered to have no diagnostic value, since a positive sign does not indicate DVT and a negative sign does not rule it out.[1] Still, it is widely used in clinical practice, probably because of its historical role prior to the availability of more reliable diagnostic studies (such as a D-dimer titration or a Doppler ultrasound), as well the ease of eliciting it.[4] Signs and symptoms of DVT in general are not sufficiently sensitive or specific to make a diagnosis, being helpful only to help determine the likelihood of a DVT (with the use of a clinical prediction rule such as the Wells score).[5]
There may exist some concern that eliciting this sign may be dangerous and that it should not be elicited.[6][7]
Since Greensleeves is a folk tune, it has many different forms. This is one version, but the version Vaughan Williams uses in his "Fantasy" is nearer than this one to the English folk tradition, being in the Dorian mode (having no F sharps in lines 1 & 3) (Play (help·info))
"Greensleeves" is a traditional English folk song and tune, over a ground either of the form called a romanesca; of its slight variant, thepassamezzo antico; of the passamezzo antico in its verses and the romanesca in its reprise; or of the Andalusian progression in its verses and the romanesca or passamezzo antico in its reprise. The romanesca originated in Spain[1] and is composed of a sequence of fourchords with a simple, repeating bass, which provide the groundwork for variations and improvisation.
A broadside ballad by this name was registered at the London Stationer's Company in September 1580,[2] by Richard Jones, as "A Newe Northen Dittye of ye Ladye Greene Sleves".[3] Six more ballads followed in less than a year, one on the same day, 3 September 1580 ("Ye Ladie Greene Sleeves answere to Donkyn hir frende" by Edward White), then on 15 and 18 September (by Henry Carr and again by White), 14 December (Richard Jones again), 13 February 1581 (Wiliam Elderton), and August 1581 (White's third contribution, "Greene Sleeves is worne awaie, Yellow Sleeves Comme to decaie, Blacke Sleeves I holde in despite, But White Sleeves is my delighte").[4] It then appears in the surviving A Handful of Pleasant Delights (1584) as A New Courtly Sonnet of the Lady Green Sleeves. To the new tune of Green Sleeves.
There is a persistent belief that Greensleeves was composed by Henry VIII for his lover and future queen consortAnne Boleyn. Boleyn allegedly rejected King Henry's attempts to seduce her, and this rejection may be referred to in the song when the writer's love "cast me off discourteously". However, the piece is based on an Italian style of composition that did not reach England until after Henry's death, making it more likely Elizabethan in origin.[5]
One possible interpretation of the lyrics is that Lady Green Sleeves was a promiscuous young woman and perhaps a prostitute.[6] At the time, the word "green" had sexual connotations, most notably in the phrase "a green gown", a reference to the grass stains on a woman's dress from engaging in sexual intercourse outdoors.[7]
An alternative explanation is that Lady Green Sleeves was, through her costume, incorrectly assumed to be sexually promiscuous. Her "discourteous" rejection of the singer's advances supports the contention that she is not.[7]
In Nevill Coghill's translation of The Canterbury Tales,[8] he explains that "green [for Chaucer’s age] was the colour of lightness in love. This is echoed in 'Greensleeves is my delight' and elsewhere."
Christmas and New Year texts were associated with the tune from as early as 1686, and by the 19th century almost every printed collection of Christmas carols included some version of words and music together, most of them ending with the refrain "On Christmas Day in the morning".[9] One of the most popular of these is "What Child Is This?", written in 1865 by William Chatterton Dix.
In Shakespeare's The Merry Wives of Windsor (written, c.1597; first published in 1602), the character Mistress Ford refers twice to "the tune of 'Greensleeves'", and Falstaff later exclaims:
Let the sky rain potatoes! Let it thunder to the tune of 'Greensleeves'!
These allusions indicate the song was already well known at that time.
In other art, entertainment, media, and culture[edit]
In the movie Girl Asleep, the triplets record "You have no tits" into a mixtape and give it to Greta on her birthday. The melody of this song is "Greensleeves". Part of it can be heard in the trailer.[11]
The tune was used (as "My Lady Greensleeves") as the slow march of the London Trained Bands in the 16th and 17th Centuries. Later the 7th (City of London) Battalion London Regiment, which claimed descent from the Yellow Regiment of London Trained Bands, adopted the tune as its quick march during World War I, replacing "Austria" (to the same tune as Deutschland über Alles), which had been used until then.[15]
According to one source, Ralph Vaughan Williams composed a Fantasia on "Greensleeves" based on the "Greensleeves" melody, in 1934.[16] However, according to others, the 1934 Fantasia is actually an arrangement made by Ralph Greaves from Vaughan Williams' opera Sir John in Love in 1928; they point out that the fantasia also incorporates a folk song called "Lovely Joan" in the middle section. There are also several other, later arrangements by various writers, but no version by Vaughan Williams himself.[17][18][19]
Greensleeves Records & Publishing is a British record label specialising in dancehall and reggae music. The company was founded by Chris Cracknell and Chris Sedgwick, and started as a small record store in West Ealing, London, in November 1975.
