Tuesday, February 23, 2016

READ the Bold Italic by ANNALEE NEWITZ

http://www.thebolditalic.com/articles/4841-5-times-san-francisco-was-almost-destroyed


5 TIMES SAN FRANCISCO WAS ALMOST DESTROYED

Apr 18, 2014 at 12pm

Editor's note: Annalee Newitz is the editor-in-chief of io9.com, and the author of Scatter, Adapt and Remember: How Humans Will Survive a Mass Extinction. Annalee, an expert on all things nerdy, will be reading from her new book next Wednesday, April 23, at Moe's Books in Berkeley. Until then, read up on some fascinating SF history from Annalee, about the times the city narrowly missed being utterly destroyed.


By Annalee Newitz
San Francisco is prone to disasters, but it's also a place that knows how to bounce back like nowhere else. This city has been almost completely obliterated several times, from both natural disasters and bizarro development scenarios. Here are five of the most memorable.


1. The Great Fire, 1849

In 1849, the Gold Rush brought so many transplants to San Francisco that the press dubbed them “the '49ers.” Often penniless and used to roughing it, the '49ers pitched tents along the cold, muddy streets of what's now the Financial District. For a truly fancy living experience, you could hammer together a wooden frame and stretch some treated canvas over it. Early in the morning of December 24, 1849, fire broke out in a gambling house called Dennison’s Exchange, on Kearny between Clay and Jackson, overlooking Portsmouth Square. This was one of the few solidly-built structures in the city, because of course people here have always had their priorities straight: bars and illegal gambling come first, and we'll worry about where to sleep later. 
The fire ripped through the tent city downtown, burning quickly through homes that gold diggers had slapped together out of cotton and newspaper. With no fire department, it fell to ordinary citizens to stop the blaze as it worked its way toward Montgomery. Armed with nothing other than mining tools, they decided to rip down and dynamite the city's remaining houses to deprive the fire of fuel. This scorched Earth technique worked, though there were no buildings left on the south side of Washington between Kearny and Montgomery. The good news? Few people died, it's easy to rebuild tents, and the city decided to create a fire department.


2. The Penultimate Fire, May 1851

Between 1849 and 1851, San Francisco was almost entirely destroyed by fire seven times. And each time people rebuilt, they tried more and more high-tech methods to prevent future damage. One popular method was to build shacks out of corrugated iron. Sheets of the stuff were shipped to San Francisco in giant stacks so that people could quickly snap together a home that was also “fire proof.” Yes, even back in 1851, there were companies selling futuristic, innovative bullshit products to San Franciscans. Except back then, those products were deadly.
The fire of May 3 and 4, 1851, destroyed three-fourths of the city and began with what was likely arson in Portsmouth Plaza. Despite efforts by the newly-created fire department, the flames ate through street after street. One problem was that the always-windy Financial District had elevated wooden sidewalks. They were perfect tinder for this blaze, providing fuel coupled with lots of nice oxygen underneath to feed it. Terrified, residents ran into their “fire proof” iron homes and cooked inside. Despite the horrific property damage and lives lost, workers were able to fully rebuild one-fifth of the city in just ten days. Unfortunately, this was right in time for the last of the great Gold Rush fires, which razed the city in June of that year. 
Still, the city rose again – and kept booming. San Francisco's population in 1849 was estimated at about 5,000, but within roughly a decade it had grown to 50,000. By 1865, it was at almost 100,000.


3. 1906 Earthquake 

On April 18, 1906, one of the worst natural disasters in the history of the United States shook San Francisco. Though the quake was bad, 80 percent of the city was destroyed by the fires that raged for days after the last aftershock was felt. Ruptured gas mains were a major culprit, though bad firefighting techniques can be blamed too. Although the Great Fire in 1849 was stopped when people dynamited buildings, the same tactic backfired in 1906. Dynamited buildings caught fire too, spreading the conflagration rather than quenching it. It's estimated that about 3,000 people died, but this wasn't entirely due to the blaze. Some were shot by soldiers brought in to “protect” the wrecked city from looters in the weeks that followed.
With the vast majority of the city homeless, San Francisco became a tent city again. Rebecca Solnit has a terrific chapter about this era in her book A Paradise Built in Hell. She describes how people congregated in Golden Gate Park and Dolores Park, sharing food and other necessities. Rather than letting their stores spoil, butchers gave away their meat for free, and small “restaurants” sprang up in people's tents. Impromptu concerts and other entertainment were common in these refugee camps, as was a barter economy. 
On good days, the atmosphere might have been something like a Victorian Burning Man. The city provided homeless families with earthquake shacks in Golden Gate Park, which many people made into permanent homes by moving them into neighborhoods (a few of these earthquake shacks are still around today). 
Over the next decade, the city was rebuilt in ways that vastly improved on its original, haphazard design. Designers widened streets, added thoroughfares that allowed people to get quickly from one end of the city to the other, beautified City Hall, and built a subway under Market Street. Most of the major construction was completed by 1915. In that year, San Francisco hosted the Panama-Pacific Exposition, that year's World's Fair, which was held in what became the Marina district and at the newly-constructed Palace of Fine Arts. Somehow, a more beautiful San Francisco rose out of the fires and tents once again.

4. The 1950s Freeway Abomination

Since the 1906 Earthquake, no natural disasters have threatened the City with total annihilation (although some have destroyed small parts of it). Instead, our near-disasters have come from humans – specifically, city and landscape planners. Bizarre development plans have almost turned San Francisco into an unrecognizable mess. The first time this happened, a major citizen's revolt was unleashed.
In 1955, San Francisco's Freeway Plan would have seen five major freeways cutting through the center of the city. To give you an idea how much these freeways would have changed SF, one of them was going to begin at Embarcadero, blast its way through a massive tunnel in Russian Hill, and then connect to the Golden Gate Bridge. Taken together, these freeways would have completely transformed the City's contours and neighborhoods. 
When San Franciscans got wind of the freeway plans, they staged what has come to be known as the Great Freeway Revolt. San Francisco historian Chris Carlsson writes:
“As the plans unfolded, public opposition grew. By the time the Embarcadero Freeway was nearly under construction in 1958, a loud opposition had formed, going on to campaign for its removal after its completion. Over 30,000 people signed petitions at meetings organized in the Sunset, Telegraph and Russian Hills, Potrero, Polk Gulch and other threatened areas. In 1959 The Supervisors voted to cancel 75% of planned freeway routes through the city, much to the shock of the Department of Highways and the state government.”
Ultimately, protesters in the Freeway Revolt also helped expand the BART routes as well, to make up for the lost freeways. The Freeway Revolt is commemorated in a small but amazing sculpture on 2004-2010 Gough Street.

5. The 1960s Plan to Fill in the Bay

What would the San Francisco Bay Area be without its bay? Developers in the 1960s wanted to find out. Specifically, they hoped to expand land area on both sides of the bay, using the same techniques that had already extended the Marina district far beyond the original San Francisco coastline, and created Foster City out of a marsh. In 1961, the Army Corps of Engineers suggested that the regions' rate of growth would ultimately convert the bay into little more than a shipping lane by the year 2020. The Corps released a map (shown above) that same year, which was leaked to the press and caused an uproar.
As social geographer Richard Walker writes in his book about San Francisco, The Country in the City, conservationists had long been a strong force in California politics, and John Muir was already a local hero. So it didn't take long before a group in Berkeley formed Save the Bay. Led by environmental activists Catherine Kerr, Sylvia McLaughlin, and Ester Gulick, the group helped create legislation that protected the Bay Area's coastal waters and stopped rampant filling of the bay. 
Not a moment too soon, either. We've since learned that one of the biggest threats to San Francisco and other major cities is environmental destruction. So saving our bay wasn't just about keeping things pretty. Researchers at UC Berkeley have found that Bay Area wetlands are major carbon sinks, drawing down the environmental pollutants that cause climate change. Groups like “Save the Bay” grew into a much bigger environmental movement – one that already saved our city, and could one day save the world.

Why Is It Called 'The Barbary Coast'??


*San Francisco Fire of 1851*

The San Francisco Fire of 1851 (May 3–4, 1851) was a catastrophic conflagration that destroyed a quarter of San Francisco, California.

*History

Around 11 pm on the night of May 3, 1851, a fire (possibly arson) broke out in a paint and upholstery store above a hotel on the south side of Portsmouth Square in San Francisco.[1][2][3] Fueled by increasingly high winds, the fire was initially carried down Kearny St. and then, as the winds shifted to the south, into the downtown area, where the elevated wood-plank sidewalks provided extra fuel.[1][2][4] The fire, which was visible for miles out to sea, continued for about 10 hours and eventually extended to at least 18 blocks of the main business district, an area three-quarters of a mile long by a third of a mile wide.[1][4] Before it was checked by reaching the waterfront, it burned down some 2000 buildings altogether, amounting by some estimates to three-quarters of the city.[1][3] One 19th century account of the destruction observes: "Nothing remained of the city but the sparsely settled outskirts."[4] The total damage has been estimated at around $10–12 million, a good deal of it uninsured as no insurance companies had yet been established in the city.[4][5]
Among the properties destroyed that day were the Niantic whaling vessel, which had been run aground to serve as a store and would subsequently be rebuilt as a hotel; a general store founded by Domenico Ghirardelli, who would go on to found the Ghirardelli Chocolate Company; and all half dozen of the city's newspapers apart from Alta Californian.[2][4]*

One of the most difficult of duties for the early California sheriffs was the execution of prisoners who had been sentenced to death.
*At least nine lives were lost in the fire, some of them in new, supposedly fireproof iron buildings whose doors and shutters expanded with the heat, trapping people inside.[1][3][4]
This fire is considered the sixth and worst of a series of major fires that had burned parts of San Francisco in just the year and a half since December 1849. In terms of property value, it did twice the damage of all those earlier fires combined.[1]*

Drawing of the hanging of John Jenkins in San Francisco by the 1851 Committee of Vigilance.

FOLLOWING the period of the volunteer Fire Department came the romantic age of the horse-drawn apparatus. The man-drawn fire engines, with pumps operated by men, the hose reels, and the hook and . . . .. go to www.sfmuseum.org
*A vivid description of the fire occurs in author Frank Marryat's memoir Molehills and Mountains:[1]
“The wind was unusually high, and the flames spread in a broad sheet over the town. All efforts to arrest them were useless; houses were blown up and torn down in attempts to cut off communication; but the engines were driven back step by step, while some brave firemen fell victims to their determined opposition.
As the wind increased to a gale, the fire became beyond control; the brick buildings on Montgomery crumbled before it; and before it was arrested over 1000 houses, many of which were filled with merchandise, were left in ashes. Many lives were lost, and the amount of property destroyed was estimated at two and a half million pounds sterling.
No conception can be formed of the grandeur of the scene, for at one time the burning district was covered by one vast sheet of flame that extended half a mile in length.”*

*From Wikipedia, the free encyclopedia*

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Liev Schreiber

From Wikipedia, the free encyclopedia
Liev Schreiber
Liev Schreiber 2012.jpg
Schreiber in 2012.
BornIsaac Liev Schreiber
October 4, 1967 (age 48)
San FranciscoCaliforniaUnited States
EducationMaster of Fine Arts
Alma materHampshire College
Yale University
Royal Academy of Dramatic Art
OccupationActor, producer
Years active1994–present
Partner(s)Naomi Watts
(2005–present)
Children2
RelativesPablo Schreiber (half-brother)
Websitewww.liev-schreiber.net
Isaac Liev Schreiber (/ˈlv/; born October 4, 1967) is an American actor and producer. He became known during the late 1990s and early 2000s, having appeared in several independent films, and later mainstream Hollywood films, including the Scream trilogy of horror films, PhantomsThe Sum of All FearsX-Men Origins: WolverineSaltTaking Woodstock, and Goon.
Schreiber is also a respected stage actor, having performed in several Broadway productions. In 2005, he won a Tony Award asBest Featured Actor for his performance in the play Glengarry Glen Ross. That year, he made his debut as a film director and writer with Everything Is Illuminated, based on the novel of the same name. He also plays the eponymous lead character on the Showtime series Ray Donovan. He narrates the HBO series 24/7, as well as various PBS programs.

Early life[edit]

Schreiber was born in San FranciscoCalifornia, the son of Heather (née Milgram) and Tell Carroll Schreiber, a stage actor and director.[1] His father is from a wealthy Protestant society family from Bucks County, Pennsylvania; Tell's family had lived in the United States for many generations, and his ancestry includes GermanSwiss-GermanDanishDutchEnglishFrenchIrish,NorwegianBelgian (Flemish), Scottish, and Welsh.[2] Schreiber's mother, who now lives on an ashram in Virginia, was born into aBrooklyn working-class household of communists; her family was Jewish (descended from immigrants from Poland and Ukraine).
With a firm knowledge of classical music and Russian literature, Schreiber's mother has been described by Schreiber as a "far-outSocialist Labor Party hippie bohemian freak who hung out with William Burroughs".[3][4][5] When Heather was 12, her mother (Schreiber's grandmother) was lobotomized.[3] His mother has said that she named him after her favorite Russian author, Leo Tolstoy, while his father has stated that Schreiber was named after the doctor who saved his mother's life. His family nickname, adopted when Schreiber was a baby, is "Huggy".[3]
When Schreiber was one year old, his family moved to Canada,[4] winding up in the unincorporated rural area of WinlawBritish Columbia.[6] It was here that his half-brother, actor Pablo Schreiber, was born. Prior to this point, according to Schreiber's father, at the beginning of their marriage (in San Francisco), Schreiber's mother had a bad experience on LSD. Over the next four years, she was repeatedly admitted to hospitals and underwent therapy.[3] After Schreiber's father threatened to admit her to a mental institution, she left with her son. With his father in pursuit, Schreiber and his mother were trailed by private detectives in various states; when he was three, his father kidnapped him from an upstate New York commune to which Heather had decamped.
By the time Schreiber was four, he was living with her on the fourth floor of a dilapidated walkup at First Avenue and First Street in New York City (his half brothers from her first marriage were with their father in a duplex on Central Park West), and he was the object of a fierce custody battle, which bankrupted his maternal grandfather, Alex Milgram. Milgram, who was the most significant male in Schreiber’s youth, played the cello and owned Renoir etchings, and made his living by delivering meat to restaurants.[3] When Schreiber was five, his parents divorced; his mother won custody, and the two moved to a cold-water flat on the Lower East Side in Manhattan, New York City, where he was raised.[4][7] They frequently had no electricity, hot water, or even beds.[7]
His mother was "a highly cultured eccentric" who supported them by splitting her time between driving a cab and creating papier-mâché puppets."[3] On Schreiber's 16th birthday, his mother bought him a motorcycle "to promote fearlessness."[3] The critic John Lahr wrote in a 1999 New Yorker profile that, "To a large extent, Schreiber's professional shape-shifting and his uncanny instinct for isolating the frightened, frail, goofy parts of his characters are a result of being forced to adapt to his mother's eccentricities. It's both his grief and his gift."[3] He endured her mood swings and bohemian proclivities, which included making him take Hindu names, wear yoga shirts, and forcing Liev, briefly, to go to an Ashram school in Connecticut when he was 12.[8] In high school, Liev played the bass clarinet.[9] Schreiber's mother also forbade Schreiber from seeing color movies. As a result, his favorite actors were Charlie Chaplin and Basil Rathbone.
In the late 1970s and early 1980s, Schreiber, known then as Shiva Das, lived at the Satchidananda Ashram, Yogaville East, in Pomfret, Connecticut. He also abided by his mother's vegetarian diet. In retrospect, Schreiber said in a 2008 interview that he appreciates his mother's influences, saying: "Since I've had Sasha, I've completely identified with everything my mother went through raising me... and I think her choices were inspired."[10]

Education[edit]

Subsequently, Schreiber attended Friends Seminary at the same time as future actress Amanda Peet.[11] Schreiber went on to Hampshire College in Amherst, Massachusettswhere he began his acting training at the University of Massachusetts Amherst, via the Five Colleges consortium. In March 1989, Liev played Antonio in The Merchant of Venicealongside Jeffrey Donovan. Liev graduated with a master's degree from the Yale School of Drama in 1992,[12] where he starred in Charles Evered's The Size of the World,directed by Walton Jones. At Yale, Liev studied with Earle R. Gister.[13] He also attended the Royal Academy of Dramatic Art in London. He originally wanted to be a screenwriter but was steered toward acting instead.

Career[edit]

Early films[edit]

Schreiber had several supporting roles in various independent films until his big break, as the accused murderer Cotton Weary in the Scream trilogy of horror films. Though the success of the Scream trilogy would lead Schreiber to roles in several big-budget studio pictures, Entertainment Weekly wrote in 2007 that "Schreiber is [still] best known for such indie gems as Walking and Talking, The Daytrippers, and Big Night."[14]
After Scream, Schreiber was cast as the young Orson Welles in the HBO original movie RKO 281, for which he was nominated for Emmy and Golden Globe Awards. He then played supporting roles in several studio films, including Ron Howard's 1996 remake of Ransom, with Mel GibsonThe Hurricane, with Denzel Washington, the 2000 movie version of Hamlet, with Ethan Hawke, and, as Tom Clancy's fictional C.I.A. super spy and assassin John Clark, in The Sum of All Fears, with Ben Affleck. The 2004 remake of The Manchurian Candidate, with Washington and Meryl Streep, was another major film for Schreiber, stirring some controversy as it opened during a heated presidential electioncycle. Schreiber also played Robert Thorn with Julia Stiles in the 2006 film The Omen, a remake of the 1976 horror classic The Omen. He played the time-traveling ex-boyfriend of Meg Ryan in Kate and Leopold, also starring Hugh Jackman.

Shakespeare[edit]

Along with his screen work, Schreiber is a well-respected classical actor; in a 1998 review of the Shakespeare play Cymbeline, The New York Times called his performance "revelatory" and ended the article with the plea, "More Shakespeare, Mr. Schreiber."[15] A year later, Schreiber played the title role in Hamlet in a December 1999 revival at The Public Theater, to similar raves. In 2000, he went on to play Laertes in the film Hamlet, a modern adaptation of the play.
His performance in the title role of Henry V in a 2003 Central Park production of that play caused The New Yorker magazine critic John Lahr to expound upon his aptitude at playing Shakespeare. "He has a swiftness of mind," Lahr wrote, "which convinces the audience that language is being coined in the moment. His speech, unlike that of the merely adequate supporting cast, feels lived rather than learned."[16]
From June to July 2006, he played the title role in Macbeth opposite Jennifer Ehle at the Delacorte Theater.

Narration and voiceover work[edit]

Schreiber has narrated a number of documentaries, along with Michael G. Stanton, many of them aired as part of PBS series such as American Experience, Nova, and Secrets of the Dead from 2001 to 2011. He is also the voice behind the television commercials for Infiniti. In 1995, he provided narration for the BBC/WGBH documentary co-productionRock & Roll.
In 1994, he narrated Two Billion Hearts, the official film of 1994 World Cup.
Schreiber is also the voice of HBO's Sports of the 20th Century documentaries. Similarly, Schreiber is also the narrator of HBO Boxing's Countdown and 24/7 documentary series. Schreiber served as the voice of Skeletor in the 2002 incarnation of Masters of the Universe. Schreiber narrated Magic & Bird: A Courtship of Rivals and Broad Street Bullies in 2010, on HBO. Schreiber provided the narration for "Making of Pumping Iron" documentary that is included in a special anniversary edition of the movie Pumping Iron. He also narrated the History Channel specials Ape to ManThe Lost Kennedy Home Movies, and America: The Story of Us.
Schreiber reprised his role as narrator for HBO's 24/7: Road to the Winter Classic NHL documentary, which followed the Pittsburgh Penguins and Washington Capitals as they prepared to face each other in the 2011 NHL Winter Classic at Heinz Field, in Pittsburgh, Pennsylvania on January 1, 2011. Once again, Schreiber was the narrator for the HBO series, 24/7 : Road to the Winter Classic. That year, the Philadelphia Flyers and the New York Rangers battled in the Classic, at Citizens Bank Park in the 2012 NHL Winter Classic. Once more, Schreiber narrated for the HBO series in 2014 for the 2014 NHL Winter Classic, which showcased the Toronto Maple Leafs against the Detroit Red Wings atMichigan Stadium in Ann Arbor, Michigan. Schreiber has been the narrator in HBO's Hard Knocks for every season, except for the 2007 Season with The Kansas City Chiefs.
Schreiber also narrated the 2011 documentary Hitler's G.I. Death Camp on the National Geographic Channel. The newly released 2012 "Kinderblock 66" is narrated by Schreiber. Schreiber narrated the 2013 documentary "Money for Nothing".

Directing and 2000s work[edit]

Schreiber (right) and other actors celebrating the world premiere of X-Men Origins: Wolverine in Tempe, Arizona, April 27, 2009
Schreiber told The New Yorker in 1999 that "I don't know that I want to be an actor for the rest of my life." For a time in the late nineties, he hoped to produce and direct an adaptation of The Merchant of Venice starring Dustin Hoffman.[3] In that time, Schreiber started writing a screenplay about his relationship with his Ukrainian grandfather, a project he abandoned when, according to The New York Times, "he read Jonathan Safran Foer's hit novel, Everything Is Illuminated, and decided Mr. Foer had done it better."[17] Schreiber's film adaptationof the short story from which the novel originated, which he both wrote and directed, was released in 2005. The film, which starred Elijah Wood, received lukewarm-to-positive reviews,[18] with Roger Ebert calling it "a film that grows in reflection."
In 2002, he starred in Neil LaBute's play The Mercy Seat along with Sigourney Weaver on Off-Broadway that was critically and commercially very successful. In the spring of 2005, Schreiber played the role of Richard Roma in the Broadway revival of David Mamet'sPulitzer Prize-winning play Glengarry Glen Ross. As Roma, Schreiber won a Tony Award for Best Performance by a Featured Actor in a Play.
In 2006, Schreiber was invited to join the Academy of Motion Picture Arts and Sciences.[19] In fall of that year, Schreiber directed and starred in the "2006 Join the Fight" AIDS PSA campaign for Cable Positive and Kismet Films (others involved with the campaign included actress Naomi Watts, fashion designerCalvin Klein, and playwright Tony Kushner).
Schreiber played Charlie Townsend in the 2006 film The Painted Veil, starring opposite Watts and Edward Norton. In the same year, Schreiber also appeared in The Omen,which was a remake of the 1976 film of the same name. For television, the actor portrayed a character who temporarily replaces Gil Grissom, played by William Petersen, in the CBS show CSI: Crime Scene Investigation, during the 2006–2007 season. He played Michael Keppler, a seasoned CSI with a strong reputation in various police departments across the nation, before joining the veteran Las Vegas team. Schreiber joined the cast on January 18, 2007 and shot a four-episode arc.[14]
Schreiber appeared in the Broadway revival of Eric Bogosian's Talk Radio. The show began previews at the Longacre Theatre on February 15, 2007 in preparation for its March opening. On May 11, 2007, He won the Drama League Award for distinguished performance for his portrayal of shock jock "Barry Champlain" in Talk Radio, and has receivedTonyDrama Desk, and Outer Critics Circle Award nominations for the role. The New York Times' Ben Brantley called his performance "the most lacerating portrait of a human meltdown this side of a Francis Bacon painting."[10]
Schreiber played the womanizing Lotario Thurgot in Mike Newell's screen adaptation of Love in the Time of Cholera, released in 2007. In a January 2007 interview, Schreiber mentioned that he was working on a screenplay.[14]
Late in 2008, Schreiber portrayed Jewish resistance fighter, Zus Bielski, in the film Defiance, alongside Daniel Craig. In February 2008, 20th Century Fox announced Schreiber would play the mutant supervillain, Sabretooth in the Marvel Comics film X-Men Origins: Wolverine, released on May 1, 2009.[20] This was the second film he has done with Hugh Jackman. In March 2010, it was announced that he was interested in returning for Scream 4,[21] portraying Cotton Weary a fourth time (the film was subsequently made without his involvement).[22]
In 2010, he returned to Broadway in A View from the Bridge for which he received a Tony nomination for Best Leading Actor in a Play.
Schreiber narrates Superheroes: A Never-Ending Battle, a three-hour documentary that premiered on PBS in October 2013.[23]
Schreiber also narrates HBO's 24/7 series, which documents the lead up to the NHL Winter Classic game.

Personal life[edit]

Schreiber with Naomi Watts in 2012.
Rumors regarding his relationship with British actress Naomi Watts (with whom he appeared in The Painted Veil) have questioned whether the couple are married. In January 2010, Watts was quoted saying that Schreiber had given her a ring (which she was not wearing at the time) but that neither of them wanted to rush into marriage.[24] At Tropfest on June 22, 2013, Schreiber referred to Watts as his wife.[25]
The couple's first son, Alexander Pete, was born in 2007. They call him Sasha, a Russian nickname variation of the name Alexander.[26][27] In 2008, Watts gave birth to the couple's second son, Samuel Kai.[28][29] In April 2010, Watts said that the pair would have a third child if they could be guaranteed a baby girl.[30]

Filmography[edit]

Film[edit]

YearFilmRoleNotes
1994Mixed NutsChris
1995Denise Calls UpJerry Heckerman
1995Mad LoveSalesman
1995Party GirlNigel
1996The DaytrippersCarl Petrovic
1996Walking and TalkingAndrew
1996Big NightLeo
1996ScreamCotton WearyCameo
1996RansomClark Barnes
1997His and HersGlenn
1997Scream 2Cotton Weary
1998PhantomsDeputy Stuart 'Stu' Wargle
1998SphereTed Fielding
1998TwilightJeff Willis
1998Desert BlueMickey MoondayVoice
1999A Walk on the MoonMarty Kantrowitz
1999Jakob the LiarMischa
1999The HurricaneSam Chaiton
1999Spring ForwardPaul
2000HamletLaertes
2000Scream 3Cotton Weary
2001Kate & LeopoldStuart Besser
2001Do You Believe in Miracles?Narrator
2002The Sum of All FearsJohn Clark
2003Spinning BorisJoe Shumate
2004The Manchurian CandidateCongressman Raymond Prentiss Shaw
2006Living with WolvesNarrator
2006The OmenRobert Thorn
2006The Painted VeilCharles Townsend
2007The TenRay Johnson
2007Love in the Time of CholeraLotario Thurgot
2008DefianceZus Bielski
2009X-Men Origins: WolverineVictor Creed/Sabretooth
2009Taking WoodstockVilma
2009Every DayNed
2010America: The Story of UsNarrator
2010Repo MenFrank
2010SaltTheodore "Ted" Winters
2011GoonRoss "The Boss" Rhea
2012MentalTrevor Blundell
2012The Reluctant FundamentalistBobby Lincoln
2013Movie 43RobertSegment "Homeschooled"
2013The Last Days on MarsVincent Campbell
2013The ButlerLyndon B. Johnson
2013A Perfect ManJames
2013Money for Nothing: Inside the Federal ReserveNarrator
2013Fading GigoloDovi
2014Pawn SacrificeBoris Spassky
2015UnityNarratorDocumentary
2015SpotlightMartin Baron
2015CreedHBO 24/7 NarratorVoice
2016The 5th WaveColonel Vosch
2016Goon: Last of the EnforcersRoss "The Boss" RheaFilming
2016The BleederChuck WepnerFilming, also producer

Television[edit]

YearFilmRoleNotes
1995Buffalo GirlsOgdenTelevision movie
1998Since You've Been GoneFred LinderhoffTelevision movie
1999RKO 281Orson WellesTelevision movie
2003Hitler: The Rise of EvilErnst HanfstaenglMiniseries
2006Lackawanna BluesUlysses FordTelevision movie
2007CSI: Crime Scene InvestigationMichael Keppler4 episodes
2008Independent LensWilliam KunstlerEpisode: "Chicago 10"
2012Robot ChickenIron Man / King TritonVoice; Episode: "Collateral Damage in Gang Turf War"
2013Clear HistoryTiborTelevision movie; uncredited
2013–presentRay DonovanRay Donovan36 episodes (Lead Role)
2015BoJack HorsemanCopernicusVoice; Episode: "Out to Sea"
2016Saturday Night LiveHimself1 episode

Awards and nominations[edit]


YearAssociationCategoryTitle of workResult
2000Golden Globe AwardsGolden Globe Award for Best Actor – Miniseries or Television FilmRKO 281Nominated
2000Primetime Emmy AwardsPrimetime Emmy Award for Outstanding Lead Actor in a Miniseries or a MovieRKO 281Nominated
2005Tony AwardsBest Featured Actor in a PlayGlengarry Glen RossWon
2005Saturn AwardsSaturn Award for Best Supporting ActorThe Manchurian CandidateNominated
2007Tony AwardsBest Actor in a PlayTalk RadioNominated
2010Tony AwardsBest Actor in a PlayA View from the BridgeNominated
2014Golden Globe AwardsBest Actor – Television Series DramaRay DonovanNominated
2014Screen Actors Guild AwardsSAG Award for Outstanding Performance by a Cast in a Motion PictureThe ButlerNominated
2015Golden Globe AwardsBest Actor – Television Series DramaRay DonovanNominated
Primetime Emmy AwardsPrimetime Emmy Award for Outstanding Lead Actor in a Drama SeriesRay DonovanNominated
Detroit Film Critics Society AwardsDFCS Award for Best Supporting ActorSpotlightWon
Gotham Independent Film AwardsEnsemble PerformanceSpotlightWon
Independent Spirit AwardsRobert Altman AwardSpotlightWon
Satellite AwardsBest Cast in a Motion PictureSpotlightWon
Screen Actors Guild AwardOutstanding Performance by a Cast in a Motion PictureSpotlightWon
2016Golden Globe AwardsBest Actor – Television Series DramaRay DonovanNominated