Wednesday, May 6, 2015

The Facts Knickered In A Sport Of 'The Short Hares' In Reality It Is Called A Profit

Pop music marked by three revolutions in 50 years




The Kicker of the grand on the BBC in News on Webbing the Feat as the Evolution on treatings,
ask the Singer of the knash Ville is that the circus of Bread oN Fed to cancer this Grow`d,
the goat to the Billy in the distal of a pen to byte the bing on a rubber Tree planters Pea nuttery`d,
that field of Stream to Cobblers mile.

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bark as this is a scold from I to the Hits in 'Just Happens' big Bang,
gone to the Picture show of Knight Gallery,
cause and At Festival is the simple me stating BBC will Pay James Blunt,
for on the breeze photos and Leads,
50 Years evolved in a Singular Sung!!

To the deer barn an Ant purr as the Cinema in Britain music In dust tree took,
touch Coincidence or gravel the Bell big Ben is clocking these crumbs.

Time is a timely Fleet shipping News as a Hot Warning on the Flea,
bounce this note to Substantial as that is the Euro Rhythmic typed in grit,
performance as the flours Trite James Blunt is a Speed,
that the bankers on the trots have digested to form,
buy the tank and Trough this Fiddle as the glycerin Explosive,
a tee party for too.


To less is the ink for the dot Digits spanking the tracer on the Sky lights complete,
to place the docket Stipulations on forward have gone dawn to the always for storm,
troop this channel as British is pond to the Lake of nigh gel,
that slicked back Hare.

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the Makings of designed to Captain the In hare enth choral on a dig down of the Foot bach that show^pans Tea`d.

Grace be full to frost on I for the Icy Core is Bill & that Thanks lets see Oliver on the Corker sleeve,
in a bare it saw to the Nudes of skill I merely paddle the canoe from the water to the Keys.

#___________________________________#

For Me It Was The Picture On Sample As The Choir Of Serendipitous'ly Post`d:  The Pane

 The evolution of western pop music, spanning from 1960 to 2010, has been analysed by scientists.
A team from Queen Mary University of London and Imperial College London looked at more than 17,000 songs from the US Billboard Hot 100.
They found three music revolutions - in 1964, 1983 and 1991 - and traced the loss of blues chords from the charts, as well as the birth of disco.
The study is published in the Royal Society Open Science journal.
The team also refuted claims that pop music is starting to sound the same.
Dr Matthias Mauch, from Queen Mary University of London, said: "What is really fascinating to see is how has diversity has changed - we can measure whether the charts have become more bland.


"Many people claim music is getting worse and worse, and we didn't really find anything like that. There is not an overall trend for the composition, the musical ingredients of the charts, to become less diverse."
The researchers looked at the different characteristics of music, including harmony, chords changes and timbres (the tonal quality of the music), and then analysed how they changed over time.
In the early 1960s, chords called dominant sevenths, found in jazz and blues started to die out.
Instead, in 1964 the invasion of British bands - from the Beatles to the Rolling Stones - introduced a radical new rocky sound.

Media captionDr Mauch discussed his findings on the Today programme
The researchers say this was this the first of three stylistic revolutions - periods of extremely rapid change within the charts.
New technology, synthesisers, samplers and drum machines, drove a second major style shift in 1983.
The third, in 1991, came about when rap and hip-hop went mainstream.
"The third revolution is the biggest," explained Dr Mauch.
"This is so prominent in our analysis, because we looked at harmony - and rap and hip-hop don't use a lot of harmony. The emphasis is on speech sounds and rhythm.
"This was a real revolution: suddenly it was possible that you had a pop song without harmony."
The researchers say that some musical changes were slower to become embedded within the charts, but still had a big impact.



Synths, drum machines and samplers helped bands like the Eurythmics to transform the charts

"The minor seventh chords were introduced through funk, soul and disco in the 1970s," said Dr Mauch.
"That didn't cause a revolution, but these chords were not present before - and they haven't gone away since. New songs still heavily use these chords."
The researchers found that music constantly evolved and change throughout the 50-year period.
However, there was a blip - the introduction of arena rock in the 1980s meant that, for a while, music lacked diversity.
Dr Mauch said: "A lot of hair metal and stadium rock, like Bon Jovi and Bruce Spingsteen, came into the charts, and they had a bigger share of the overall charts.
"But then rap and hip-hop came in. I think that hip-hop saved the charts."

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