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Futurama

From Wikipedia, the free encyclopedia

For other uses, see Futurama (disambiguation).

Futurama

Genre	Animated sitcom Science fiction
Created by	Matt Groening
Developed by	Matt Groening David X. Cohen
Voices of	Billy West Katey Sagal John DiMaggio Phil LaMarr Lauren Tom Tress MacNeille Maurice LaMarche David Herman
Opening theme	"Theme from Futurama"
Composer(s)	Christopher Tyng
Country of origin	United States
Originallanguage(s)	English
No. of seasons	7
No. of episodes	140 (list of episodes)
Production
Executiveproducer(s)	Matt Groening David X. Cohen
Producer(s)	Lewis Morton J. Stewart Burns Patric M. Verrone Jason Grode Claudia Katz Brian J. Cowan
Editor(s)	Paul D. Calder
Running time	22 minutes
Productioncompany(s)	The Curiosity Company 20th Century Fox Television Rough Draft Studios
Distributor	20th Television
Release
Original network	Fox (1999–2003) Comedy Central (2008–2013)
Picture format	480i (4:3)(1999–2003) HDTV 1080i (2010–13)
Audio format	Dolby Surround (1999–2003) Dolby Digital 5.1 (2008–13)
Original release	March 28, 1999 – September 4, 2013
External links
Website

Futurama is an American animated science fiction sitcom created by Matt Groening for the Fox Broadcasting Company. The series follows the adventures of a late-20th-century New York City pizza delivery boy, Philip J. Fry, who, after being unwittingly cryogenically frozen for one thousand years, finds employment at Planet Express, an interplanetary delivery company in the retro-futuristic 31st century. The series was envisioned by Groening in the late 1990s while working on The Simpsons, later bringing Cohen aboard to develop storylines and characters to pitch the show to Fox.

In the United States, the series aired on Fox from March 28, 1999, to August 10, 2003, before ceasing production. Futurama also aired in reruns on Cartoon Network's Adult Swim from 2002 to 2007, until the network's contract expired. It was revived in 2008 as four direct-to-video films; the last of which was released in early 2009. Comedy Central entered into an agreement with 20th Century Fox Television to syndicate the existing episodes and air the films as 16 new, half-hour episodes, constituting a fifth season.^[1]^[2]

In June 2009, producing studio 20th Century Fox announced that Comedy Central had picked up the show for 26 new half-hour episodes, which began airing in 2010 and 2011.^[3]^[4] The show was renewed for a seventh season, with the first half airing in June 2012 and the second set for early summer 2013.^[5]^[6] It was later revealed that the seventh season would be the final season, as Comedy Central announced that they would not be commissioning any further episodes. The series finale aired on September 4, 2013, officially ending the series.^[7] While Groening has said he will try to get it picked up by another network,^[8] David X. Cohen stated that the episode "Meanwhile" would be the last episode of season 7 and also the series finale.^[9]

Throughout its run, Futurama has received critical acclaim. The show has been nominated for 17 Annie Awards and 12 Emmy Awards, winning seven of the former and six of the latter. It has also been nominated four times for a Writers Guild of America Award, winning two for the episodes "Godfellas" and "The Prisoner of Benda", been nominated for a Nebula Award and has receivedEnvironmental Media Awards for episodes "The Problem with Popplers" and "The Futurama Holiday Spectacular".^[10] Futurama-related merchandise has also been released, including a tie-in comic book series and video game, calendars, clothes and figurines. In 2013, TV Guide ranked Futurama as one of the top 60 Greatest TV Cartoons of All Time.^[11]

Production[edit]

Development[edit]

Fox expressed a strong desire in the mid-1990s for Matt Groening to create a new series, and he began conceiving Futurama during this period. In 1996, he enlisted David X. Cohen, then a writer and producer for The Simpsons, to assist in developing the show. The two spent time researching science fiction books, television shows, and films. When they pitched the series to Fox in April 1998, Groening and Cohen had composed many characters and story lines; Groening claimed they had gone "overboard" in their discussions.^[12] Groening described trying to get the show on the air as "by far the worst experience of my grown-up life".^[13]

Fox ordered thirteen episodes. Immediately after, however, Fox feared the themes of the show were not suitable for the network and Groening and Fox executives argued over whether the network would have any creative input into the show.^[14] With The Simpsons the network has no input.^[15] Fox was particularly disturbed by the concept of suicide booths, Doctor Zoidberg, and Bender's anti-social behavior.^[16] Groening explains, "When they tried to give me notes on Futurama, I just said: 'No, we're going to do this just the way we did Simpsons.' And they said, 'Well, we don't do business that way anymore.' And I said, 'Oh, well, that's the only way I do business.'"^[17] The episode "I, Roommate" was produced to address Fox's concerns, with the script written to their specifications.^[16]^[18] Fox strongly disliked the episode, but after negotiations, Groening received the same independence with Futurama.^[19]

The name Futurama comes from a pavilion at the 1939 New York World's Fair. Designed by Norman Bel Geddes, the Futurama pavilion depicted how he imagined the world would look in 1959.^[20] Many other titles were considered for the series, including "Aloha, Mars!" and "Doomsville", which Groening notes were "resoundly rejected, by everyone concerned with it".^[21]^[22] It takes approximately six to nine months to produce an episode of Futurama.^[23]^[24] The long production time results in several episodes being worked on simultaneously.^[25]

Executive producers[edit]

David X. Cohen and Matt Groeningat the Futurama panel of Comic-Con2009.

Groening and Cohen have served as executive producers and showrunners during the show's entire run, and also function as creative consultants. Ken Keeler became an executive producer for Season 4 and subsequent seasons.

Writing[edit]

The planning for each episode begins with a table meeting of writers, who discuss the plot ideas as a group. A single staff writer writes an outline and then produces a script. Once the first draft of a script is finished, the writers and executive producers call in the actors to do a table read.^[14] After this script reading, the writers collaborate to rewrite the script as a group before eventually sending it to the animation team.^[26] At this point the voice recording is also started and the script is out of the writers' hands.^[24]

The writing staff held three Ph.D.s, seven master's degrees, and cumulatively had more than 50 years at Harvard University. Series writer Patric M. Verrone stated, "we were easily the most overeducated cartoon writers in history".^[27]

Voice actors[edit]

Main cast members

Billy West	Katey Sagal	John DiMaggio	Tress MacNeille	Maurice LaMarche	Lauren Tom	Phil LaMarr	David Herman
Philip Fry, Professor Farnsworth, Doctor Zoidberg, Zapp Brannigan, various	Leela	Bender, various	Mom, various	Kif Kroker, various	Amy Wong, various	Hermes Conrad, various	Scruffy, various

Animation[edit]

Computer-generated explosion

Rough Draft Studios animates Futurama. The studio receives the completed script of an episode and storyboards it into over 100 drawings. It then creates a pencil-drawn animatic with 1000 frames. Rough Draft's sister studio in South Korea renders the 30,000-frame finished episode.^[14]

In addition to traditional cartoon drawing, Rough Draft Studios often uses CGI for fast or complex shots, such as the movement ofspaceships, explosions, nebulae and snow scenes. The opening sequence is entirely rendered in CGI. The CGI is rendered at 24 frames per second (as opposed to hand-drawn often done at 12 frames per second) and the lack of artifacts makes the animation appear very smooth and fluid. CGI characters look slightly different due to spatially "cheating" hand-drawn characters by drawing slightly out of proportion or off-perspective features to emphasize traits of the face or body, improving legibility of an expression. PowerAnimator is used to draw the comic-like CGI.^[34]

The series began high-definition production in season 5, with Bender's Big Score. The opening sequence was re-rendered and scaled to adapt to the show's transition to 16:9 widescreen format.

For the final episode of season 6, Futurama is completely reanimated in three different styles: the first segment of the episode features black-and-white Fleischer- and Walter Lantz-style animation, the second is drawn in the style of a low-resolution video game, and the final segment is in a style of Japanese anime.^[35]

Original cancellation and revival[edit]

Series finale[edit]

Main article: Meanwhile (Futurama)

Comedy Central announced in April 2013 that they would be airing the final episode on September 4, 2013.^[63] The producers said that they are exploring options for the future of the series as "[they] have many more stories to tell", but would gauge fan reaction to the news.^[64] Groening and Cohen have previously expressed a desire to produce a theatrical film or another direct-to-video film upon conclusion of the series.^[65]

In an August 2013 interview with Milwaukee Journal Sentinel, Katey Sagal said regarding the series finale, "So I don't believe it... I just hold out hope for it because it has such a huge fan base, it's such a smart show, and why wouldn't somebody want to keep making that show; so that's my thought, I'm just in denial that it's over". Sagal also mentioned during the same interview that Groening told her at Comic-Con that "we'll find a place" and "don't worry, it's not going to end" (in Sagal's words).^[66]

The Simpsons episode "Simpsorama" is an official crossover with Futurama. It originally aired during the twenty-sixth season on November 9, 2014, over a year after the series finale aired on Comedy Central.^[67]^[68]^[69]

Characters[edit]

Further information: List of Futurama characters

Futurama is essentially a workplace sitcom, the plot of which revolves around the Planet Express interplanetary delivery company and its employees,^[70] a small group that largely fails to conform to future society.^[71] Episodes usually feature the central trio of Fry, Leela, and Bender, though occasional storylines center on the other main characters.

Philip J. Fry (Billy West) – Fry is a dimwitted, immature, slovenly, yet good-hearted and sentimental pizza delivery boy who falls into a cryogenic pod, causing it to activate and freeze him just after midnight on January 1, 2000. He reawakens on New Year's Eve of 2999, and gets a job as a cargo delivery boy at Planet Express, a company owned by his only living relative, Professor Hubert J. Farnsworth. Fry's love for Leela is a recurring theme throughout the series.
Turanga Leela (Katey Sagal) – Leela is the competent, one-eyed captain of the Planet Express Ship.^[70] Abandoned as a baby, she grows up in the Cookieville Minimum Security Orphanarium believing herself to be an alien from another planet, but learns that she is actually a mutant from the sewers in the episode "Leela's Homeworld".^[72]Prior to becoming the ship's captain, Leela works as a career assignment officer at the cryogenics lab where she first meets Fry. She is Fry's primary love interest. Her name is a reference to the Turangalîla-Symphonie by Olivier Messiaen.^{[citation needed]}
Bender Bending Rodriguez (John DiMaggio) – Bender is a foul-mouthed, heavy-drinking, cigar-smoking, kleptomaniacal, misanthropic, egocentric, ill-tempered robotmanufactured by Mom's Friendly Robot Company. He is originally programmed to bend girders for suicide booths, and is later designated as assistant sales manager and cook, despite lacking a sense of taste. He is Fry's best friend and roommate. He must drink heavily to power his fuel cells and becomes the human equivalent of drunk when low on alcohol.^[73]
Professor Hubert J. Farnsworth (Billy West) – Professor Farnsworth, also known simply as "the Professor", is Fry's distant nephew.^[74] Farnsworth founds Planet Express Inc. to fund his work as a mad scientist. Although he is depicted as a brilliant scientist and inventor, at more than one-hundred and sixty years old he is extremely prone to age-related forgetfulness and fits of temper. In the episode "A Clone of My Own", the Professor clones himself to produce a successor, Cubert Farnsworth, whom he treats like a son.
Dr. John A. Zoidberg (Billy West) – Zoidberg is a lobster-like alien from the planet Decapod 10, and the neurotic staff physician of Planet Express. Although he claims to be an expert on humans, his knowledge of human anatomy and physiology is woefully inaccurate. Zoidberg's expertise seems to be with extra-terrestrial creatures. Homeless and penniless, he lives in the dumpster behind Planet Express. Although Zoidberg is depicted as being Professor Farnsworth's long-time friend he is held in contempt by everyone on the crew.
Amy Wong (Lauren Tom) – Amy is an incredibly rich, blunt, spoiled, ditzy, and accident-prone long-term intern at Planet Express. She is an astrophysics student at Mars University and heiress to the western hemisphere of Mars. Born on Mars, she is ethnically Chinese and is prone to cursing in Cantonese and using 31st-century slang. Her parents are the wealthy ranchers Leo and Inez Wong. She is promiscuous in the beginning of the series, but eventually enters a monogamous relationship with Kif Kroker. In the show's sixth season, she acquires her doctorate.
Hermes Conrad (Phil LaMarr) – Hermes is the Jamaican accountant of Planet Express. A 36th-level bureaucrat (demoted to level 37 during the series) and proud of it, he is a stickler for regulation and enamored of the tedium of paperwork and bureaucracy. Hermes is also a former champion in Olympic Limbo, a sport derived from the popular party activity. He gave up limbo after the 2980 Olympics when a young fan, imitating him, broke his back and died. Hermes has a wife, LaBarbara, and a 12-year-old son, Dwight.
Zapp Brannigan (Billy West) – Zapp Brannigan is the incompetent, extraordinarily vain captain of the DOOP starship Nimbus. He is a satirical pastiche of Captain Kirk andWilliam Shatner. Although Leela thoroughly detests him, Brannigan—a self-deluded ladies' man—pursues her relentlessly, often at great personal risk. He was originally going to be voiced by Phil Hartman, but Hartman died before production could begin.^[28]^[29]
Kif Kroker (Maurice LaMarche) – Zapp Brannigan's 4th Lieutenant and long-suffering personal assistant, Kif is a member of the amphibious species that inhabits the planet Amphibios 9. Although extremely timid, he eventually works up the courage to date Amy. Kif is often shown sighing in disgust at the nonsensical rantings of his commanding officer.
Mom (Tress MacNeille) – Mom is the malevolent, foul-mouthed, cruel, and narcissistic owner of MomCorp, the thirty-first century's largest shipping and manufacturing company, with a monopoly on robots. In public, she maintains the image of a sweet, kindly old woman by speaking in stereotypically antiquated statements and wearing a mechanical fat suit. She occasionally launches insidious plans for world domination and corporate takeover. She has a romantic history with the Professor which left her bitter and resentful. She has three bumbling sons, Walt, Larry, and Igner (modeled after The Three Stooges), who do her bidding despite frequent abuse, and often infuriate her with their incompetence. In Bender's Game, it is revealed that Igner's father is Professor Farnsworth.
Nibbler (Frank Welker) – Nibbler is Leela's pet Nibblonian, whom she rescues from an imploding planet and adopted in the episode "Love's Labours Lost in Space". Despite his deceptively cute exterior, Nibbler is actually a highly intelligent super-being whose race is responsible for maintaining order in the universe. He is revealed in "The Why of Fry" to have been directly responsible for Fry's cryogenic freezing. While the size of an average house cat, his race is capable of devouring much larger animals. Hedefecates dark matter, which until Bender's Game is used as fuel for space cruisers in the series.

Setting[edit]

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2013)

Fry's first glimpse of New New York City

Futurama is set in New New York at the turn of the 31st century, in a time filled with technological wonders. The city of New New York has been built over the ruins of present-day New York City, which occupies New New York's sewers, referred to as "Old New York". Various devices and architecture are similar to the Populuxe style. Global warming, inflexible bureaucracy, and substance abuse are a few of the subjects given a 31st-century exaggeration in a world where the problems have become both more extreme and more common. Just as New York has become a more extreme version of itself in the future, other Earth locations are given the same treatment; Los Angeles, for example, is depicted as a smog-filled apocalyptic wasteland.

Numerous technological advances have been made between the present day and the 31st century. The ability to keep heads alive in jarswas invented by Ron Popeil (who has a guest cameo in "A Big Piece of Garbage"), which has resulted in many historical figures and current celebrities being present, including Groening himself; this became the writers' device to feature and poke fun at contemporary celebrities in the show. Curiously, several of the preserved heads shown are those of people who were already dead well before the advent of this technology; one of the most prominent examples of this anomaly is Earth president Richard Nixon, who died in 1994 and appears in numerous episodes. The heads also appear to be in the age that the individual was most famous and not the older age in which they died. The Internet, while being fully immersive and encompassing all senses — even featuring its own digital world (similar to Tron or The Matrix) — is slow and largely consists of pornography, pop-up ads, and "filthy" (or Filthy Filthy) chat rooms. Some of it is edited to include educational material ostensibly for youth. Television is still a primary form of entertainment. Self-aware robots are a common sight, and are the main cause of global warming thanks to the exhaust from their alcohol-powered systems. The wheel is obsolete (no one but Fry even seems to recognize the design),^[75] having been forgotten and replaced by hover cars and a network of large, clear pneumatic transportation tubes.

Environmentally, common animals still remain, alongside mutated, cross-bred (sometimes with humans) and extraterrestrial animals. Ironically, spotted owls are often shown to have replaced rats as common household pests. Although rats still exist, sometimes rats act like pigeons, though pigeons still exist, as well. Pine trees, anchovies and poodles have been extinct for 800 years. Earth still suffers the effects of greenhouse gases, although in one episode Leela states that its effects have been counteracted by nuclear winter. In another episode, the effects of global warming have been somewhat mitigated by the dropping of a giant ice cube into the ocean, and later by pushing Earth farther away from the sun, which also extended the year by one week.

Futurama's setting is a backdrop, and the writers are not above committing continuity errors if they serve to further the gags. For example, while the pilot episode implies that the previous Planet Express crew was killed by a space wasp, the later episode "The Sting" is based on the crew having been killed by space bees instead.^[76] The "world of tomorrow" setting is used to highlight and lampoon issues of today and to parody the science fiction genre.^[31]

Themes[edit]

Earth is depicted as being multicultural to the extent that a wide range of human, robot, and extraterrestrial beings interact with the primary characters. In some ways the future is depicted as being more socially advanced than Fry's, and therefore the audience's, reality. However, it is often shown to have many of the same types of problems, challenges, mistakes, and prejudices as the present.

Robots make up the largest "minority". Most robots are self-aware and have been granted freedom and self-determination, but while a few are depicted as wealthy members of the upper class, they are often treated as second-class citizens.^[75] Likewise, robot–human relationships (termed "robosexual") are stigmatized,^[77] and robot–human marriages are initially depicted as illegal.^[78] Sewer mutants are mutated humans who must live in the sewers by law. They are initially depicted as holding urban legend status and regarded as fictional by most members of the public. This was contradicted by later episodes that depict Earth society as having enforced laws regarding mutants. However, since the conclusion of Season Six, mutants have been granted full status as citizens and are therefore granted the same rights to surface use as normal humans.

Religion is still a prominent part of society, although the dominant religions have evolved. A merging of the major religious groups of the 20th century has resulted in the First Amalgamated Church,^[79] while Voodoo is now mainstream. New religions include Oprahism, Robotology, and the banned religion of Star Trek fandom. Religious figures includeFather Changstein-El-Gamal, the Robot Devil, Reverend Lionel Preacherbot, and passing references to the Space Pope, who appears to be a large crocodile-like creature. Several major holidays have robots associated with them, including the murderous Robot Santa and Kwanzaa-bot. While very few episodes focus exclusively on religion within theFuturama universe, they do cover a wide variety of subjects including predestination, prayer, the nature of salvation, and religious conversion.^[79]

Earthican flag, "Ol' Freebie"

Earth has a unified government headed by the President of Earth. Richard Nixon's head is elected to the position in Season Two, and holds the office in subsequent episodes. Earth's capital is Washington, D.C., and the flag of Earth is similar in design to the flag of the United States, with the western hemisphere displayed in place of the fifty stars. The show is set mostly in the former United States, and other parts of the world are rarely shown. Citizens of Earth are referred to as "Earthicans", and English is shown to be the primary language of almost every sentient species.

The Democratic Order of Planets (D.O.O.P.) has been compared to both the United Nations and the United Federation of Planets of theStar Trek universe.^[80] Numerous other planets have been colonized or have made contact by the year 3000. Mars has been terraformedand is home to Mars University, Mars Vegas, and tribes similar to Native Americans, though they departed upon learning that the "worthless bead" they traded their land for (the Martian surface) was actually a giant diamond worth a fortune, deciding to buy another planet and act like it is sacred.

A derivative of baseball, called blernsball, is played, and the New New York Mets, a laughingstock of the league, still play in Shea Stadium. A New New York Yankees team also exists.

Due to the fact that the world of Fry's time was destroyed, much of the knowledge of history before then was lost. In the 31st century, facts gathered by archaeologists are portrayed as grossly inaccurate. For example, in "The Lesser of Two Evils", the theme park "Past-O-Rama" presents a history in which 20th-century car factories had "primitive robot" assembly lines in which cars were not assembled by giant robotic welding arms, but by robots dressed like stereotypical cavemen wielding clubs. Another example comes from "The Series Has Landed", in which knowledge of the Moon landing has been lost for centuries. As a result, archaeologists came to the conclusion that the idea to go to the moon came from the infamous quotation from The Honeymooners "One of these days, Alice... Bang! Zoom! Straight to the moon!".

Hallmarks[edit]

Opening sequence[edit]

Much like the opening sequence in The Simpsons with its chalkboard, sax solo, and couch gags, Futurama has a distinctive opening sequence featuring minor gags. As the show begins, blue lights fill the screen and the Planet Express Ship flies across the screen with the title of the show being spelled out in its wake. Underneath the title is a joke caption such as "Painstakingly drawn in front of a live studio audience" or "When you see the robot: DRINK!"^[81] After flying through downtown New New York and past various recurring characters, the Planet Express ship crashes into a large screen showing a short clip from a classic cartoon. These have included clips from Quasi At The Quackadero, Looney Tunes shorts, cartoons produced by Max Fleischer, a short of The Simpsons from a Tracey Ullman episode,^[82] the show's own opening sequence in "The Devil's Hands Are Idle Playthings" or a scene from the episode. Most episodes in Season 6 use an abridged opening sequence, omitting the brief clip of a classic cartoon. "That Darn Katz!", "Benderama" and "Yo Leela Leela" have been the only episodes since "Spanish Fry" to feature a classic cartoon clip. Several episodes begin with a cold opening before the opening sequence, although these scenes do not always correspond with the episode's plot. The opening sequence has been lampooned several times within the show, in episodes including "That's Lobstertainment!", "The Problem with Popplers", as "Future-roma" in "The Duh-Vinci Code" and as "Futurella" in "Lrrreconcilable Ndndifferences".

Series director Scott Vanzo has remarked on the difficulty of animating the sequence. It took four to five weeks to fully animate the sequence, and it consists of over 80 levels of3D animation composited together.^[83] It takes approximately one hour to render a single frame, and each second of the sequence consists of around 30 frames.^[84]

Bender's Big Score has an extended opening sequence, introducing each of the main characters. In The Beast with a Billion Backs and Bender's Game the ship passes through the screen's glass and temporarily becomes part of the environment depicted therein—a pastiche of Disney's Steamboat Willie and Yellow Submarine respectively—before crashing through the screen glass on the way out. In Into the Wild Green Yonder, a completely different opening sequence involves a trip through a futuristic version of Las Vegas located on Mars. The theme tune is sung by Seth MacFarlane and is different from the standard theme tune. The end of the film incorporates a unique variation of the opening sequence; as the Planet Express ship enters a wormhole, it converts into a pattern of lights similar to the lights that appear in the opening sequence.

The Futurama theme was created by Christopher Tyng. The theme is played on the tubular bells but is occasionally remixed for use in specific episodes, including a version by the Beastie Boys used for the episode "Hell Is Other Robots", in which they guest starred.^[81] The theme also samples a drum break originating from "Amen, Brother" by American soul group The Winstons; however, the drum break is replaced in Season 6. A remixed rendition of the theme is used in Season 5, which features altered instruments and a lower pitch. Season 6 also uses this remix, but it has been reduced again in pitch and tempo. The theme has been noted for its similarities to Pierre Henry's 1967 Psyché Rock.^[85]

It was originally intended for the Futurama theme to be remixed in every episode.^[86] This was first trialled in the opening sequence for "Mars University", however it was realized upon broadcast that the sound did not transmit well through most television sets and the idea was subsequently abandoned.^[87] Despite this, beatbox renditions of the theme performed by Billy West and John DiMaggio are used for the episodes "Bender Should Not Be Allowed on TV" and "Spanish Fry".

Language[edit]

Alien Language 1 and its equivalentLatin characters

There are three alternative alphabets that appear often in the background of episodes, usually in the forms of graffiti, advertisements, or warning labels. Nearly all messages using alternative scripts transliterate directly into English. The first alphabet consists of abstract characters and is referred to as Alienese,^[72] a simple substitution cipher from the Latin alphabet.^[88] The second alphabet uses a more complex modular addition code, where the "next letter is given by the summation of all previous letters plus the current letter".^[89] The codes often provide additional jokes for fans dedicated enough to decode the messages.^[31] The third language sometimes used isHebrew. Aside from these alphabets, most of the displayed wording on the show uses the Latin alphabet.

Several English expressions have evolved since the present day. For example, the word Christmas has been replaced with Xmas(pronounced "ex-mas"), and the word ask with aks (pronounced axe). According to David X. Cohen it is a running joke that the French language is extinct in the Futurama universe (though the culture remains alive), much like Latin is in the present.^[90] In the French dubbing of the show, German is used as the extinct language instead.

Humor[edit]

Although the series uses a wide range of styles of humor, including self-deprecation, black comedy, off-color humor, slapstick, and surreal humor, its primary source of comedy is its satirical depiction of everyday life in the future and its parodical comparisons to the present.^[70] Groening notes that, from the show's conception, his goal was to make what was, on the surface, a goofy comedy that would have underlying "legitimate literary science fiction concepts".^[91] The series contrasted "low culture" and "high culture" comedy; for example, Bender's catchphrase is the insult "Bite my shiny metal ass" while his most terrifying nightmare is a vision of the number 2, a joke referring to the binary numeral system(Fry assures him, "there's no such thing as two").^[70]

The series developed a cult following partially due to the large number of in-jokes it contains, most of which are aimed at "nerds".^[70] In commentary on the DVD releases, David X. Cohen points out and sometimes explains his "nerdiest joke[s]".^[92] These included mathematical jokes — such as "Loew's

\aleph_0

-plex" (aleph-null-plex) movie theater,^[92] — as well as various forms of science humor — for example, Professor Farnsworth, at a racetrack, complains about the use of a quantum finish to decide the winner, exclaiming "No fair! You changed the outcome by measuring it", a reference to the Heisenberg Uncertainty Principle.^[70]^[93] In the season six episode "Law and Oracle", Fry and the robot peace officer URL track down a traffic violator who turns out to be Erwin Schrödinger, the 20th-century quantum physicist. On the front seat of the car is a box, and when questioned about the contents, Schrödinger replies "A cat, some poison, and a cesium atom". Fry asks if the cat is alive or dead, and Schrödinger answers "It's a superposition of both states until you open the box and collapse the wave function." When Fry opens the box, the cat jumps out and attacks him. The run is a reference to the Schrödinger's cat thought experiment of quantum mechanics. The series makes passing references to quantum chromodynamics (the appearance of Strong Force-brand glue),^[94] computer science (two separate books in a closet labeled P and NP respectively, referring to the possibility that P and NP-complete problem classes are distinct),^[95] electronics (an X-ray — or more accurately, an "F-ray" — of Bender's head reveals a 6502 microprocessor),^[96] and genetics (a mention of Bender's "robo- or R-NA").^[97] The show often features subtle references to classic science fiction. These are most often to Star Trek — many soundbites are used in homage^[70] — but also include the reference to the origin of the wordrobot made in the name of the robot-dominated planet Chapek 9,^[98] and the black rectangular monolith labeled "Out of Order" in orbit around Jupiter (a reference to Arthur C. Clarke's Space Odyssey series).^[99] Bender and Fry sometimes watch a television show called The Scary Door, a humorous parody of The Twilight Zone.^[100]

Journalist/critic Frank Lovece in Newsday contrasted the humor tradition of Groening's two series, finding that, "The Simpsons echoes the strains of American-Irish vaudevillehumor — the beer-soaked, sneaking-in-late-while-the-wife's-asleep comedy of Harrigan and Hart, McNulty and Murray, the Four Cohans (which, yes, included George M.) and countless others: knockabout yet sentimental, and ultimately about the bonds of blood family. Futurama, conversely, stems from Jewish-American humor, and not just in the obvious archetype of Dr. Zoidberg. From vaudeville to the Catskills to Woody Allen, it's that distinctly rueful humor built to ward away everything from despair to petty annoyance — the 'You gotta do what you gotta do' philosophy that helps the 'Futurama' characters cope in a mega-corporate world where the little guy is essentially powerless."^[55] Animation maven Jerry Beck concurred: "I'm Jewish, and I know what you're saying. Fry has that [type of humor], Dr. Zoidberg, all the [vocal artist] Billy Westcharacters. I see it. The bottom line is, the producers are trying to make sure the shows are completely different entities."^[55]

Reception, legacy, and achievements[edit]

Success[edit]

Futurama's 7:00 pm Sunday timeslot caused the show to often be pre-empted by sports and usually have a later than average season premiere. It also allowed the writers and animators to get ahead of the broadcast schedule so that episodes intended for one season were not aired until the following season. By the beginning of the fourth broadcast season, all the episodes to be aired that season had already been completed and writers were working at least a year in advance.^[24]

When Futurama debuted in the Fox Sunday night line-up at 8:30 pm between The Simpsons and The X-Files on March 28, 1999, it managed 19 million viewers, tying for 11th overall in that week's Nielsen ratings.^[101] The following week, airing at the same time, Futurama drew 14.2 million viewers. The third episode, the first airing on Tuesday, drew 8.85 million viewers.^[102] Though its ratings were well below The Simpsons, the first season of Futurama rated higher than competing animated series: King of the Hill, Family Guy, Dilbert, South Park, and The PJs.^[103]

When Futurama was effectively canceled in 2003, it had averaged 6.4 million viewers for the first half of its fourth broadcast season.^[104]

In late 2002, Cartoon Network acquired exclusive cable syndication rights to Futurama for a reported ten million dollars.^[105] In January 2003,^[105] the network began airingFuturama episodes as the centerpiece to the expansion of their Adult Swim cartoon block. In October 2005, Comedy Central picked up the cable syndication rights to airFuturama's 72-episode run at the start of 2008, following the expiration of Cartoon Network's contract.^[43] It was cited as the largest and most expensive acquisition in the network's history. It airs every night on Comedy Central and WGN.^[106] A Comedy Central teaser trailer announced the return of Futurama March 23, 2008,^[107] which wasBender's Big Score divided into four episodes followed by the other three movies. The series also airs in syndication in many countries around the world.

On June 24, 2010, the season six premiere, "Rebirth", drew 2.92 million viewers in the 10 pm timeslot on Comedy Central.^[108] The second episode of the sixth season, "In-A-Gadda-Da-Leela", aired at 10:30 pm, immediately following the season premiere. "In-A-Gadda-Da-Leela" drew 2.78 million viewers.^[108] This was the series' premiere on the network, with original episodes—the fifth season had previously aired on the network, but it had originally been released in the form of the four direct-to-video films.

Awards and nominations[edit]

Year	Award	Category	Nominee	Result
1999	Annie Awards	Outstanding Achievement in an Animated Television Program^[109]	Futurama	Nominated
	Annie Awards	Outstanding Individual Achievement for Writing in an Animated Television Production^[109]	Ken Keeler for "The Series Has Landed"	Nominated
	Primetime Emmy Award	Outstanding Animated Program^[110]	For "A Big Piece of Garbage"	Nominated
2000	Annie Awards	Outstanding Individual Achievement for Directing in an Animated Television Production^[111]	Brian Sheesley for "Why Must I Be a Crustacean in Love?"	Won
		Outstanding Achievement in a Primetime or Late Night Animated Television Program^[111]	Futurama	Nominated
		Outstanding Individual Achievement for Directing in an Animated Television Production^[111]	Susie Dietter for "A Bicyclops Built for Two"	Nominated
	Primetime Emmy Award	Outstanding Individual Achievement in Animation^[110]	Bari Kumar (color stylist) for "A Bicyclops Built for Two"	Won
	Environmental Media Awards	TV Episodic – Comedy^[112]	For "The Problem with Popplers"	Won
2001	Annie Awards	Outstanding Individual Achievement for Voice Acting by a Male Performer in an Animated Television Production^[113]	John DiMaggio as Bender for "Bendless Love"	Won
		Outstanding Individual Achievement for Writing in an Animated Television Production^[113]	Ron Weiner for "The Luck of the Fryrish"	Won
		Outstanding Achievement in a Primetime or Late Night Animated Television Production^[113]	Futurama	Nominated
	Primetime Emmy Award	Outstanding Individual Achievement in Animation^[110]	Rodney Clouden (storyboard artist) for "Parasites Lost"	Won
	Primetime Emmy Award	Outstanding Animated Program^[110]	For "Amazon Women in the Mood"	Nominated
2002	Primetime Emmy Award	Outstanding Animated Program^[110]	For "Roswell That Ends Well"	Won
	Annie Awards	Outstanding Directing in an Animated Television Production^[114]	Rich Moore for "Roswell That Ends Well"	Won
	Annie Awards	Best Animated Television Production^[114]	Futurama	Nominated
2003	Annie Awards	Music in an Animated Television Production^[115]	Ken Keeler for "The Devil's Hands Are Idle Playthings"	Nominated
	Annie Awards	Writing in an Animated Television Production^[115]	Patric Verrone for "The Sting"	Nominated
	Primetime Emmy Award	Outstanding Animated Program^[110]	For "Jurassic Bark"	Nominated
	Writers Guild of America Award	Animation	Ken Keeler for "Godfellas"	Won
2004	Primetime Emmy Award	Outstanding Animated Program^[110]	For "The Sting"	Nominated
	Primetime Emmy Award	Outstanding Music and Lyrics	For the song "I Want My Hands Back" in "The Devil's Hands Are Idle Playthings"	Nominated
	Nebula Award	Best Script^[116]	David A. Goodman for "Where No Fan Has Gone Before"	Nominated
	Writers Guild of America Award	Animation	Patric Verrone for "The Sting"	Nominated
2007	Annie Awards	Best Home Entertainment Production^[117]	For Bender's Big Score	Won
2008	Annie Awards	Best Home Entertainment Production^[118]	For The Beast with a Billion Backs	Won
2009	Annie Awards	Best Home Entertainment Production^[119]	For Into the Wild Green Yonder	Won
2010	Annie Awards	Best Animated Television Production^[120]	Futurama	Nominated
2010	Annie Awards	Outstanding Writing in an Animated Television Production^[120]	Michael Rowe	Nominated
2011	Primetime Emmy Award	Outstanding Animated Program^[110]	For "The Late Philip J. Fry"	Won
	Primetime Emmy Award	Outstanding Voice-Over Performance^[110]	Maurice LaMarche as Lrrr and Orson Welles in "Lrrreconcilable Ndndifferences"	Won
	Annie Awards	Best Writing in an Animated Television Production	Josh Weinstein for "All the Presidents' Heads"	Nominated
	Annie Awards	Editing in Television Production	Paul D. Calder	Nominated
	Environmental Media Awards	TV Episodic – Comedy^[112]	For "The Futurama Holiday Spectacular"	Won
	Writers Guild of America	Animation	Ken Keeler for "The Prisoner of Benda"	Won
	Writers Guild of America	Animation	Patric Verrone for "Lrrreconcilable Ndndifferences"	Nominated
2012	Primetime Emmy Award	Outstanding Animated Program^[110]	For "The Tip of the Zoidberg"	Nominated
	Primetime Emmy Award	Outstanding Voice-Over Performance^[110]	Maurice LaMarche as Clamps, Donbot, Hyper-Chicken, Calculon, Hedonism Bot and Morbo in "The Silence of the Clamps"	Won
	Annie Awards	Outstanding Achievement, Writing in an Animated Television or other Broadcast Venue Production^[121]	Eric Horsted for "The Bots and the Bees"	Nominated
2013	Annie Awards	Best General Audience Animated TV/Broadcast Production^[122]	Futurama	Won
		Writing in an Animated TV/Broadcast Production^[122]	Lewis Morton	Won
		Outstanding Achievement, Editorial in an Animated TV/Broadcast Production^[122]	Paul D. Calder	Nominated
2014	Primetime Emmy Award	Outstanding Animated Program^[110]	For "Meanwhile (Futurama)"	Nominated
2014	Primetime Emmy Award	Outstanding Character Voice-Over Performance^[110]	Maurice LaMarche as Calculon and Morbo in "Calculon 2.0"	Nominated

Achievements[edit]

The Futurama Theorem

On August 19, 2010, Comedy Central aired "The Prisoner of Benda", an episode written by Ken Keeler. To support the plot of this episode, Keeler, a PhD mathematician, penned "The Futurama Theorem", also known as "Keeler's theorem", which establishes (with mathematical proof) an algorithm for reversing the results of a particular body swapscenario.

Other honors

In January 2009, IGN named Futurama as the eighth best in the "Top 100 Animated TV Series".^[123]

At the 2010 San Diego Comic-Con International, Guinness World Records presented Futurama with the record for "Current Most Critically Acclaimed Animated Series".^[124]

In 2014, WatchMojo.com ranked Futurama as the second best cartoon to have been cancelled.^[125]

Other media[edit]

Comic books[edit]

Main article: Futurama Comics

First started in November 2000, Futurama Comics is a comic book series published by Bongo Comics based in the Futurama universe.^[126] While originally published only in the US, a UK, German and Australian version of the series is also available.^[127] In addition, three issues were published in Norway. Other than a different running order and presentation, the stories are the same in all versions. While the comics focus on the same characters in the Futurama fictional universe, the comics may not be canonical as the events portrayed within them do not necessarily have any effect upon the continuity of the show.

Like the TV series, each comic (except US comic #20) has a caption at the top of the cover. For example: "Made In The USA! (Printed in Canada)." Some of the UK and Australian comics have different captions on the top of their comics (for example, the Australian version of #20 says "A 21st Century Comic Book" across the cover, while the US version does not have a caption on that issue). All series contain a letters page, artwork from readers, and previews of other upcoming Bongo comics.

Films[edit]

Video game[edit]

Main article: Futurama (video game)

On September 15, 2000, Unique Development Studios acquired the license to develop a Futurama video game for consoles and handheld systems. Fox Interactive signed on to publish the game.^[135] Sierra Entertainment later became the game's publisher, and it was released on August 14, 2003.^[136] Versions are available for PlayStation 2 and Xbox, both of which use cel-shading technology. However, the game was subsequently canceled on the Nintendo GameCube and Game Boy Advance in North America and Europe.^[137]

Broadcast[edit]

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Season	Network	Time slot
1 (1999)	Fox	Sunday at 8:30–9:00 pm (EST) (March 28^[138] – April 4, 1999^[139]) Tuesday at 8:30–9:00 pm (EST) (April 6^[140] – May 18, 1999^[141])
2 (1999–2000)		Sunday at 8:30–9:00 pm (EST) (September 26^[142] – December 19, 1999^[143]) Sunday at 7:00–7:30 pm (EST) (February 6^[144] – May 21, 2000^[145])
3 (2001–2002)		Sunday at 7:00–7:30 pm (EST)^[146]^[147]^[148]^[149]^[150]^[151]
4 (2003)
5 (2008–2009)	Comedy Central	Thursday at 10:00–10:30 pm (EST)^[152]^[153]
6 (2010–2011)		Thursday at 10:00–10:30 pm (EST)^[152]^[153]
7 (2012–2013)		Wednesday at 10:00–10:30 pm (EST)^[154]^[155]

Futurama premiered and originally aired in the United States on the Fox network, March 28, 1999 – August 10, 2003. Adult Swim carried the series in the US January 1, 2003 – December 31, 2007, followed by Comedy Central March 23, 2008 – September 4, 2013. Syndicated broadcast of the series in the US began in Fall 2011.^[156]

Canadian networks YTV, Teletoon at Night and Global Television broadcast Futurama March 28, 1999 – August 10, 2003.^{[citation needed]}

The series was broadcast in Australia on the following stations: Seven Network aired the series from December 2, 1999 – 2003, Fox8 from 2000–present, Network Ten between 2005–2010, and on Eleven January 11, 2011 – present.

Audiences in New Zealand received the series on the following stations: TV2 March 28, 1999 – 2005, the BOX from 2000–2010, C4 from 2005–2011, Comedy Central between 2010–, and on Four from 2011–2013.

Futurama currently airs in Ireland on networks 3e, Comedy Central, Pick TV and Sky1.

The series was carried by the following networks in the United Kingdom: Sky1 from September 21, 1999 – present, Channel 4 from 2000–2004, and the series currently airs onPick TV and Sky2.

Merchandise[edit]

While relatively uncommon, several action and tin figurines of various characters and items from the show have been made and are being sold by various hobby/online stores. When the show was initially licensed, plans were made with Rocket USA to produce wind-up, walking tin figurines of both Bender and Nibbler with packaging artwork done by the original artists for the series.^[157] The Bender toy included a cigar and bottle of "Olde Fortran Malt Liquor" and featured moving eyes, antenna, and a functioning compartment door; it received an "A" rating from Sci Fi Weekly.^[158] A can of Slurm actually contains a deck of cards featuring the Planet Express crew as the face cards. A two-deck pack of cards was also released.

I-Men released five two-packs of 2.5-inch (64 mm) high figures: Fry and Calculon; Zoidberg and Morbo; Professor Farnsworth and URL; Robot Devil and Bender; Leela andRoberto. Each figure comes with a corresponding collectable coin that can also double as a figure stand.

The collectible releases include a set of bendable action figures, including Lieutenant Kif Kroker, Turanga Leela, and Bender. There have also been a few figures released by Moore Action Collectibles, including Fry, Turanga Leela, Bender, and the Planet Express ship. In late 2006, Rocket USA brought out a limited edition "super" heavyweight die-cast Bender. Another special edition Bender figure was released at the San Diego Comic Con (SDCC) in 2006; the figure was called "Glorious Golden Bender".

Toynami produced new Futurama figures.^[159] The first series of the Toynami figures is separated into 3 waves: wave one, released in September 2007, featured Fry and Zoidberg; wave two, released in January 2008, consisted of Leela and Zapp (who comes with Richard Nixon's head-in-a-jar); the third wave, released in June 2008, includes Bender and Kif. Each figure comes with a build-a-figure piece to assemble the Robot Devil. The second series of Toynami figures includes Captain Yesterday (A Fry variant from "Less Than Hero") and Nudar in the first wave. The second wave includes Super-King (Bender from "Less Than Hero") and Calculon, and the third wave includes Clobberella (Leela from "Less Than Hero") and Amy Wong. The figures in series 2 include pieces to build Robot Santa. The third, and current, series of the Toynami line includes Professor Farnsworth (who comes with Nibbler), and Hermes. Wave 2 was released in February 2010 and includes Chef Bender and Mom, who comes with a removable fat-suit. Series 3 figures come with pieces to build Roberto. Series 9 will include URL and Wooden Bender (from "Obsoletely Fabulous") and Series 10 will include Clamps and Joey Mousepad. Series 11 consists of The Donbot and Flexo. That wave will not have a specific Build A Bot character, planned Morbo. All figures feature multiple points of articulation and character-specific accessories.

In August 2009 Kidrobot released 3-inch vinyl mini figurines of some of the cast. These are sold in "blind" box form and each comes with an accessory. Probability of receiving each of the characters is printed on the side, with two special mystery characters having unknown probabilities. 6-inch versions of some of the figures are also available as limited editions, but these are not sold as "blind" boxes.