Showing posts sorted by relevance for query quatrain. Sort by date Show all posts
Showing posts sorted by relevance for query quatrain. Sort by date Show all posts

Friday, March 25, 2016

A Pocket Full of Rice A Row^Knee To Tack The Wall^It Off?? Its A Mirror.


For National Geographic for KIDS,
the basis of a canister to the easy addition to Film and Click,
that excitement of the strap for the Hold,
and a Flashbulb curious Parent.

Being on the Can^Door,
a veal??,
the By^Sun,
a Spreckles Lake to Polo Park at Golden Gate Bridge??

These are the easy speakers,
that Grocery Store coin to Kodak on the drop box,
back to the photograph with negatives held,
than the great wonder once a Thought.

In that is the Cheese to the Crackers??,
that concert of silence??,
shoulder a package to the secret looking as the picture is worth a Thousand Words!!


Awe tsk Tick or the Understanding the skill of the Divide??,
is that more than less more is code to be of equals a Zero on the see prompt dot aye??,
should the ladder day planes spread to the Mind,
whatever is the evident to a tax tiles brain??,
the avenue or the bowl a shard??,
stabbing Pane buy a still??,
making laughter or being a Human Being in with a Crest!!


What than is Rush Limbaugh but a Tooth to a Shift,
stripping the gears to advance only sand,
yet on that Selmar would clarify a toy,
as that three wheeler is a Quatrain.



Instamatic

From Wikipedia, the free encyclopedia
Not to be confused with instant cameras, including Kodak's own Kodamatic line.
For the film formats associated with the Instamatic and Pocket Instamatic camera ranges, see 126 film and 110 film respectively.
The Instamatic 100, the first Instamatic sold in the US
Instamatic 404, with selenium meter-controlled aperture, Cooke triplet lens and spring wind
The Instamatic is a series of inexpensive, easy-to-load 126 and 110 cameras made by Kodak beginning in 1963.[1] The Instamatic was immensely successful, introducing a generation to low-cost photography and spawning numerous imitators.
During its heyday, the range was so ubiquitous that the Instamatic name is still frequently used (erroneously) to refer to any inexpensivepoint-and-shoot camera. (It is also frequently used incorrectly to describe Kodak's line of instant-picture cameras, the Kodamatic series.)
The Instamatic name was also used by Kodak on some Super 8-based home-cine cameras.[2]

History[edit]

Early Instamatics[edit]

The first Instamatics went on sale for $16 in early 1963.[3] They were the first cameras to use Kodak's new 126 format. The easy-load filmcartridge made the cameras very inexpensive to produce, as it provided the film backing plate and exposure counter itself and thus saved considerable design complexity and manufacturing cost for the cameras. A wide variety of print and slide film was sold by Kodak in the 126 format.
The lead designer for the Instamatic program was Dean M. Peterson, also later known for most of the innovations in the point-and-shoot camera revolution of the 1980s. The first Instamatic to be released was the Instamatic 50, which appeared in the UK in February 1963, about a month before the 100. The first model released in the US was the basic Instamatic 100. With fixed shutter speed of 1/90th of a second,[4] aperture and focus, it continued in the tradition of Kodak's earlier Brownie cameras, providing a simple snapshotcamera anyone could use. It also featured a built-in flashgun for AG-1 "peanut" bulbs, a feature lacking in the 50.
The lineup was soon expanded to include a variety of models from the basic but popular 100/104 to the automatic exposure 800/804, which featured an aluminum chassis,rangefinderselenium light meter, and clockwork spring wind. (The 100/104 designation refers to the type of flash: models ending in 0 had a built-in flashgun, while those ending in 4 used flashcubes.) The top-of-the-line model was the Instamatic Reflex SLR, which was made in Germany and could accept a variety of Retina S-mount lenses.

Commercial success[edit]

The Instamatic was an instant success; more than 50 million Instamatic cameras were produced between 1963 and 1970.[1] Kodak even gave away a considerable number in a joint promotion with Scott paper towels in the early 1970s in order to generate a large number of new photographers and stimulate lasting demand for its film business.
Many other manufacturers attempted to capitalize on the popularity of the Instamatic with their own 126 cameras, including CanonOlympusMinoltaRicohZeiss Ikon, and evenRollei. Some of these models were far more sophisticated and expensive than the Kodak cameras: the Rollei SL26, for instance, featured interchangeable lenses, TTL metering, and a rangefinder, and retailed for $300.
A new series of Instamatics was introduced in 1970 to take advantage of the new Magicube flash technology. Magicubes used mechanically triggered pyrotechnic detonators for each bulb, an improvement over flashcubes in that the need for batteries was eliminated. Instamatics with Magicube sockets were denoted by an "X" in the model number (e.g. X-15 or 55X).

"Pocket Instamatic" (110-format) [edit]

Kodak Pocket Instamatic using 110 film.
In 1972, Kodak introduced the Pocket Instamatic series for its new 110 format. The 110 cartridge had the same easy-load design as the 126 format but was much smaller, allowing the cameras to be very compact (hence the "Pocket" designation). The top-of-the-line model was the Pocket Instamatic 60, which featured a stainless steel body, rangefinder, and automatic exposure. More than 25 million Pocket Instamatics were produced in under three years, and the 110 format remained popular into the 1990s. However the small negative size limited quality when using the film emulsion of the period, although in practice most prints were small so this was not as apparent until they were 'blown up' to a larger size.

Mid-1970s to late 1980s[edit]

In 1976, the Instamatic X line was updated for use with the new Flipflash system. These cameras were designated by the addition of the suffix "F" to the model number of the corresponding Magicube model. The basic X-15F was the last Instamatic sold in the United States, remaining on sale until 1988.

Monday, December 7, 2015

Faux^Pause Or Fa^Sawed??



The call of the Word on the pH of aitch To oh is the Value of a bridge to the Sees can Be,
often the bearings often a Shoulder is the carriage of the rump to a Thump on rabbit,
is the Turtle of the Clover on the Duck of Cover or the Shield of verses to Feather a gut??

Be Hind to the Horse is the Impulsion of the boundary on the Hock,
knees to the traveling show are in cadence at the Walk??, Trot?? And the Can tore,
a run A way is the bit??,
no it is the curb??,
can't bee the bum bull on the type of a Steed??,
or is it the Saddle of the House to Stable of the barn on the Stall??

Munch House In buy Proxy is all so as distance to the Long Back of the crest??,
is the Crust of the earth on the dirt nigh the Bricks in the wall of the girth??,
should write think EAN school Boards item the Cast of credits on to Skill of the *Papier-mâché??,
is the building on the found or the find??,
desire the tumbler what is the Hum??,
shall the Clam barrel Grit did than the Oyster skid Sands??

Is the put to the Text in the State of a special on the *Philonous on discussion of spelling Definition??,
for as the Quatrain goes in the beam it remains on the Scene to Berkeley by dipped,
Up got a bone as the key Structure with a pen,
ground tell Central that be Jeans is the bounce of the twitch??,
did the graph of In dent Take shin borrow off to cart the grains on a branch in be Lope??,
is not the port of Sherry the all Sew of chalk Lets on the games of the Locke?? 


*papier-mâché
[pey-per-muh-shey, -ma-; French pa-pyey-mah-shey]
Spell Syllables
Word Origin
noun
1. a substance made of pulped paper or paper pulp mixed with glue and other materials or of layers of paper glued and pressed together, molded when moist to form various articles, and becoming hard and strong when dry.
adjective
2. made of papier-mâché.
3. easily destroyed or discredited; false, pretentious, or illusory:
a papier-mâché façade of friendship.
Expand
Also, paper-mâché.
Origin of papier-mâché Expand
1745-17551745-55; < French: literally, chewed paper

Examples from the Web for papier-mâché Expand
Historical Examples
The cymbals clashed—and a long music record began to unfold in segments like a papier-mache snake.

Diane of the Green Van
Leona Dalrymple
But we havent so much as a papier-mache Easter chick, objected Louise.

Winona of the Camp Fire
Margaret Widdemer
Our papier-mache manufacturers, as well as the Continental ones, should go to Yeddo to learn what can be done with paper.

The Art of Travel
Francis Galton
Then came floats with papier-mache figures caricaturing political events in the history of the Republic.

Francisco Our Little Argentine Cousin
Eva Cannon Brooks
"I don't hold with any make of papier-mache wheel," the Mogul insisted.

The Day's Work, Volume 1
Rudyard Kipling
Lura's was a papier-mache turkey, nearly as large as the one brought home at the same time by the market-boy.

The Night Before Christmas and Other Popular Stories For Children
Various
As she hung her wrap in the corner of her room, her eye fell upon the papier-mache lunch box.

The Secret Mark
Roy J. Snell
Why, look at our two others yonder: they have papier-mache faces, too!

Fruitfulness
Emile Zola
Each wheel of the locomotive was made with metallic rim and a centre portion made of wood or papier-mache.

British Dictionary definitions for papier-mâché Expand
papier-mâché
/ˌpæpjeɪˈmæʃeɪ; French papjemɑʃe/
noun
1. a hard strong substance suitable for painting on, made of paper pulp or layers of paper mixed with paste, size, etc, and moulded when moist
adjective
2. made of papier-mâché
Word Origin
C18: from French, literally: chewed paper

Word Origin and History for papier-mâché Expand
n.
also papier mache, 1753, from French papier-mâché, literally "chewed paper," from Old French papier "paper" (see paper (n.)) + mâché "compressed, mashed," from past participle of mâcher, literally "to chew," from Late Latin masticare "masticate" (see mastication ).

Dictionary.com Unabridged
Based on the Random House Dictionary, © Random House, Inc. 2015.

Edison, His Life and Inventions
Frank Lewis Dyer and Thomas Commerford Martin

Collins English Dictionary - Complete & Unabridged 2012 Digital Edition
© William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins
Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Online Etymology Dictionary, © 2010 Douglas Harper
Cite This Source

*Philonous translates as "lover of mind."

a.) https://en.wikipedia.org/wiki/Three_Dialogues_between_Hylas_and_Philonous
          b.) https://en.wikipedia.org/wiki/A_Treatise_Concerning_the_Principles_of_Human_Knowledge

Sunday, November 8, 2015

Why Does The Oceans Title Wave In Addition To The Roar Of Sea



Naturally write the stream of a conscious delivery to send is the A of by the Way,
in lane is the Shipping of new to the text of a stay,
as the measure of is a tally on this Rally of life in a relay to the Station of identification,
there is no pondering,
it is a path of scribe to script as that is the Note on all complete to not sweep lives Over the bridge.

As the purse of honest,
the words of true,
measure the structure And know of the trend,
it is a particle of dust on the grain of salt to be Virtue not The bends.

Be of cadence to the strength on remember the date of the year,
it is now 2015 on the decade of the drift,
to door a threshold on entry is knowing of what is at a Meetings touch,
there is not a description to explain the comprehension of a tame,
for on the Arena of life it is the every foot step that treats to drivers gear.

Standard transmission verses automatic,
word to touch the ground of Training as the World disregards the put,
telephones now have no avid ringer that dials to a place with persons home,
instead it is the hurried that have discounted the consistency of a mail tone.

Stamp this envelope and believe in the tread,
each letter to task is the girth of a saddle that rides to the storm on a try,
to be of or on the pasture frost is also the known that blankets for the cold seasons review,
in instant to understanding its the Stable that treasures the warmth of reside.

I love the fact that in evidence I have put to test the environment on a best,
does the find place venture or quality control to engage the Painted Horses by design,
does the hug cost a price to tack or is the bridle a bit that reins familiar to the event of the Season`d,
did that brush box of work also know kindness or is it left to the satellites on communications vine,
hovering over the twinkle to swamp the light with blackout as the portion of prowess that Can deny,
the chorus of instrument,
a flute to the whistle off a trumpet,
speaking not revealing for that would real the thunder to this day.

Either parade is of Bread & Circus or is the Elephant in the room with a Coffee conclave,
beans & Rice to boats oars,
the tree Vista to dust the shelves as a library of dry book bones,
ribs to the leather of hide in search while convenient to locomotive on Ticket purchase,
anchors that dock can also know of the Pier as the Cruise Ship ties off to the steady the ramp,
on goes the load to freight of the show,
what does it equal,
the remainder is its People.

In that order on the scene is of quality to deed,
for in the World of denial the Media casts to a ankle,
breaking the story to feed the lie as a commerce for the Commercial on a dime of preview,
in that torque of form does than the riddle poet an enter bet or just put to the Plates license of silence,
it is the saying of that grain of salt,
a pillar of sand in the cause to be of Wise to an Ocean on the trace,
loving the tempo of message in a bot Told,
I opera a Ballet as the Quatrain of that rein,
no laces needed for the ribbon is also a buckle to belt out the vernacular of Stout,
not the string along of a kite to beach the land run off to a drains morgue of corpse death at debts.

Friday, October 23, 2015

The Fare A Lawns Oft Tin A Sawn It



Whoa is this sole desire to Heel the ride of horse to saddle,
thou girth of center belt to harp be thy gut to speak,
in that brush of scours fear does the stones grant tip,
width of bell the skull of sync How is thy charge to swamp?

In tile of feet Sands spoke seat Ocean on the Waves of wall,
skidding through the Times sewn ball Shell the tree be lagoons branch,
creek Up gone to rivers strum Pebbles on the Henge,
porcelain Eyes of brows Raised bye for Tuna lane.

Shallow sentence life on rein Directions compass Quatrain,
is each a lay of quiet state Tell thy Verse in sump or Vein,
paints on shown this coat of bloom In asking trust for Frame,
quest be long dust past thee song leaves Season ought in Crows.

Shackled with a hugging Text I scrabble heard to Vista,
tubs of Troughs the human cost Pricing pants while Albatross`d,
beautiful lens seeing blends from Cent to Scene on bakers hood,
say to piece the boots & Pre-ist that knobs are traveling formal Tides.


Tuesday, October 17, 2017

Why Goosebumps



Does the light off the Soul be gain a measure to the Aura of wait,
as the lift to a body is nigh the simplicity of bright,
may a mind know the brain of type?

What is the sing of an ounce as the pound to a Coin,
can a Ferry be the Main Y?

Shall the Tunnel be Vic's Sin,
as a board might be counted as the sand of grain,
is that then the dial of the clam to oyster a pearl of the see.

The operating system to masque a cent tense would speak,
in quiet on a speech is that the calf of leg or thigh of talk to Turkey a vulture on the Flight?

Shipping neet,
no ice is the glacier at the sea of a lagoon,
a rib to a kettle as the file is of grace,
may the list of schedule encourage more than a bone,
marrow is the richest tongue to Bay be that fish in the shelf of Library,
an encyclopedia at the envelope is mirror to reflect,
in chin a jaw may drop as that is not grave however it is the teeth.

Yikes inch that think to a sign not a miracle,
as the Tennant spoke to common language in bother,
is that infamous go into the light at the Elephant quatrain of Living rooms,
master a delight to no work as the Drawing room is nigh the Hours men IT.



21 grams experiment

From Wikipedia, the free encyclopedia
The 21 grams experiment refers to a scientific study published in 1907 by Duncan MacDougall, a physician from Haverhill, Massachusetts. MacDougall hypothesized that souls have physical weight, and attempted to measure the mass lost by a human when the soul departed the body. MacDougall attempted to measure the mass change of six patients at the moment of death. One of the six subjects lost three-fourths of an ounce (21.3 grams).
MacDougall stated his experiment would have to be repeated many times before any conclusion could be obtained. The experiment is widely regarded as flawed and unscientific due to the small sample size, the methods used, as well as the fact only one of the six subjects met the hypothesis. The case has been cited as an example of selective reporting. Despite its rejection within the scientific community, MacDougall's experiment popularized the concept that the soul has weight, and specifically that it weighs 21 grams.

Experiment[edit]

Duncan MacDougall, pictured in 1911
In 1901, Duncan MacDougall, a physician from Haverhill, Massachusetts, who wished to scientifically determine if a soul had weight, identified six patients in nursing homes whose death was imminent. Four were suffering from tuberculosis, one from diabetes, and one from unspecified causes. MacDougall specifically chose people who were suffering from conditions that caused physical exhaustion, as he needed the patients to remain still when they died to measure them accurately. When the patients looked like they were close to death, their entire bed was placed on an industrial sized scale that was sensitive within two tenths of an ounce (5.6 grams).[1][2][3] On the belief that humans have souls and that animals do not, MacDougall later measured the changes in weight from fifteen dogs after death. MacDougall said he wished to use dogs that were sick or dying for his experiment, though was unable to find any. It is therefore presumed he poisoned healthy dogs.[2][4][5]

Results[edit]

One of the patients lost weight but then put the weight back on, and two of the other patients registered a loss of weight at death but a few minutes later lost even more weight. One of the patients lost "three-fourths of an ounce" (21.3 grams) in weight, coinciding with the time of death. MacDougall disregarded the results of another patient on the grounds the scales were "not finely adjusted", and discounted the results of another as the patient died while the equipment was still being calibrated. MacDougall reported that none of the dogs lost any weight after death.[3][4]
While MacDougall believed the results from his experiment showed the human soul might have weight, his report, which was not published until 1907, stated the experiment would have to be repeated many times before any conclusion could be obtained.[4][5]

Reaction[edit]

New York Times article from March 11, 1907
Before MacDougall was able to publish the results of his experiments, The New York Times broke the story in an article titled "Soul has Weight, Physician Thinks".[6] MacDougall's results were published in April of the same year in the Journal of the American Society for Psychical Research,[7] and the medical journal American Medicine.[8]

Criticism[edit]

Following the publication of the experiment in American Medicine, physician Augustus P. Clarke criticized the experiment's validity. Clarke noted that at the time of death there is a sudden rise in body temperature as the lungs are no longer cooling blood, causing a subsequent rise in sweating which could easily account for MacDougall’s missing 21 grams. Clarke also pointed out that, as dogs do not have sweat glands, they would not lose weight in this manner after death.[1][2] Clarke's criticism was published in the May issue of American Medicine. Arguments between MacDougall and Clarke debating the validity of the experiment continued to be published in the journal until at least December that year.[2]
MacDougall's experiment has been the subject of considerable skepticism, and he has been accused of both flawed methods and outright fraud in obtaining his results.[9] Noting that only one of the six patients measured supported the hypothesis, Karl Kruszelnickihas stated the experiment is a case of selective reporting, as MacDougall ignored the majority of the results. Kruszelnicki also criticized the small sample size, and questioned how MacDougall was able to determine the exact moment when a person had died considering the technology available in 1907.[3] In 2008 physicist Robert L. Park wrote that MacDougall's experiments "are not regarded today as having any scientific merit",[5]and psychologist Bruce Hood wrote that "because the weight loss was not reliable or replicable, his findings were unscientific".[9] Professor Richard Wiseman said that within the scientific community, the experiment is confined to a "large pile of scientific curiosities labelled 'almost certainly not true'".[1]
An article by Snopes in 2013 said the experiment was flawed because the methods used were suspect, the sample size was much too small, and the capability to measure weight changes too imprecise, concluding: "credence should not be given to the idea his experiments proved something, let alone that they measured the weight of the soul as 21 grams."[4] The fact that MacDougall likely poisoned and killed fifteen healthy dogs in an attempt to support his research has also been a source of criticism.[2][4]

Legacy[edit]

In 1911 The New York Times reported that MacDougall was hoping to run experiments to take photos of souls, but he appears to not have continued any further research into the area and died in 1920.[4] His experiment has not been repeated.[5]
Despite its rejection within the scientific community, MacDougall's experiment popularized the idea that the soul has weight, and specifically that it weighs 21 grams.[3][5] Most notably, '21 Grams' was taken as the title of a film in 2003, which references the experiment.[1][4][5]
The concept of a soul weighing 21 grams is mentioned in numerous media, including a 2013 issue of the manga Gantz,[10] a 2013 podcast of Welcome to Night Vale,[11] the 2015 film The Empire of Corpses,[12] and the 2015 song "21 Grams" by Niykee Heaton, which features the line "I just want your soul in my hands, feel your weight of 21 grams."[13] MacDougall and his experiments are explicitly mentioned in the 1978 documentary film Beyond and Back,[14] and episode five of the first season of Dark Matters: Twisted But True.[15] A fictional American scientist named "Mr. MacDougall" appears in Gail Carriger's 2009 novel Soulless, as an expert in the weight and measurement of souls.[16]



Smithson Tennant

From Wikipedia, the free encyclopedia
The blue plaque for Smithson Tennant in Finkle Street, Selby
Smithson Tennant FRS (30 November 1761[1] – 22 February 1815[2]) was an English chemist.
Tennant is best known for his discovery of the elements iridium and osmium, which he found in the residues from the solution of platinum ores in 1803. He also contributed to the proof of the identity of diamond and charcoal. The mineral tennantite is named after him.

Life[edit]

Tennant was born in Selby in Yorkshire. His father was Calvert Tennant (named after his grandmother Phyllis Calvert, a granddaughter of Cecilius Calvert, 2nd Baron Baltimore). His own name derives from his grandmother Rebecca Smithson, widow of Joshua Hitchling. He attended Beverley Grammar School and there is a plaque over one of the entrances to the present school commemorating his discovery of the two elements, osmium and iridium. He began to study medicine at Edinburgh in 1781, but after a few months moved to Cambridge, where he devoted himself to botany and chemistry. He graduated M.D. at Cambridge in 1796,[3] and about the same time purchased an estate near Cheddar, where he carried out agricultural experiments. He was appointed professor of chemistry at Cambridge in 1813, but lived to deliver only one course of lectures, being killed near Boulogne-sur-Mer by the fall of a bridge over which he was riding.[4][2]